Since 2006, ShortsTV has proudly brought the Oscar® Nominated Short Films to audiences across the globe. This special release features the year's most spectacular short films and is available to watch on the big screen for a limited time shortly after nominations are announced. Each nominee is released in one of three distinct feature-length compilations according to their category of nomination: Live Action, Animation, or Documentary. The theatrical release of the nominated short films is the world's largest commercial release of short films, delighting audiences and giving filmmakers an unprecedented opportunity to entertain short film fans. In recent years, the Oscar® Nominated Short Films have been released in over 700 theaters across the US and Canada, garnering reviews in every major news outlet, from The Hollywood Reporter, Variety, and Deadline to The New York Times. The films have also been released annually in a growing number of theaters around the world, including the UK, France, Germany, Netherlands, Belgium, Spain, India, South Africa, Mexico, Chile, China, and Australia, among others, making it a truly international release. We at ShortsTV believe the nominees are the absolute leading edge of what is the world's very best in short film and the true future of filmmaking, especially if you believe that the future of filmmaking is short film...and we do!

Since 2006, ShortsTV has proudly brought the Oscar® Nominated Short Films to audiences across the globe. This special release features the year's most spectacular short films and is available to watch on the big screen for a limited time shortly after nominations are announced. Each nominee is released in one of three distinct feature-length compilations according to their category of nomination: Live Action, Animation, or Documentary. The theatrical release of the nominated short films is the world's largest commercial release of short films, delighting audiences and giving filmmakers an unprecedented opportunity to entertain short film fans. In recent years, the Oscar® Nominated Short Films have been released in over 700 theaters across the US and Canada, garnering reviews in every major news outlet, from The Hollywood Reporter, Variety, and Deadline to The New York Times. The films have also been released annually in a growing number of theaters around the world, including the UK, France, Germany, Netherlands, Belgium, Spain, India, South Africa, Mexico, Chile, China, and Australia, among others, making it a truly international release. We at ShortsTV believe the nominees are the absolute leading edge of what is the world's very best in short film and the true future of filmmaking, especially if you believe that the future of filmmaking is short film...and we do!

Since 2006, ShortsTV has proudly brought the Oscar® Nominated Short Films to audiences across the globe. This special release features the year's most spectacular short films and is available to watch on the big screen for a limited time shortly after nominations are announced. Each nominee is released in one of three distinct feature-length compilations according to their category of nomination: Live Action, Animation, or Documentary. The theatrical release of the nominated short films is the world's largest commercial release of short films, delighting audiences and giving filmmakers an unprecedented opportunity to entertain short film fans. In recent years, the Oscar® Nominated Short Films have been released in over 700 theaters across the US and Canada, garnering reviews in every major news outlet, from The Hollywood Reporter, Variety, and Deadline to The New York Times. The films have also been released annually in a growing number of theaters around the world, including the UK, France, Germany, Netherlands, Belgium, Spain, India, South Africa, Mexico, Chile, China, and Australia, among others, making it a truly international release. We at ShortsTV believe the nominees are the absolute leading edge of what is the world's very best in short film and the true future of filmmaking, especially if you believe that the future of filmmaking is short film...and we do!

Since 2006, ShortsTV has proudly brought the Oscar® Nominated Short Films to audiences across the globe. This special release features the year's most spectacular short films and is available to watch on the big screen for a limited time shortly after nominations are announced. Each nominee is released in one of three distinct feature-length compilations according to their category of nomination: Live Action, Animation, or Documentary. The theatrical release of the nominated short films is the world's largest commercial release of short films, delighting audiences and giving filmmakers an unprecedented opportunity to entertain short film fans. In recent years, the Oscar® Nominated Short Films have been released in over 700 theaters across the US and Canada, garnering reviews in every major news outlet, from The Hollywood Reporter, Variety, and Deadline to The New York Times. The films have also been released annually in a growing number of theaters around the world, including the UK, France, Germany, Netherlands, Belgium, Spain, India, South Africa, Mexico, Chile, China, and Australia, among others, making it a truly international release. We at ShortsTV believe the nominees are the absolute leading edge of what is the world's very best in short film and the true future of filmmaking, especially if you believe that the future of filmmaking is short film...and we do!

ALL ACCESS OSCAR PASS 2026 Come to the movies for the Oscar season and join us for Oscar nominated picks! FREE popcorn with pass. $60 General / $45 TCA Members Find showtimes at tcataos.org/film If buying online, give us your email receipt on your first showing for your physical punch card!

A magical and beautifully animated journey through time, Arco is a dazzling adventure about a 10-year-old boy from a peaceful, distant future who accidentally travels back to the year 2075 and discovers a world in peril. As Arco develops a charming and touching friendship with a young girl named Iris, they band together and along with her trusted robot caretaker Mikki, set out on a quest to get Arco home, while the two children may also be the only ones who can save our planet. A wondrous odyssey filled with hope and optimism for our future, Arco is an enchanting fable from breakout filmmaker Ugo Bienvenu, produced by Remembers’ Bienvenu and Felix de Givry, and mountainA’s Natalie Portman and Sophie Mas. The film debuted at the 2025 Cannes Film Festival and won The Cristal Award for Best Feature Film at the 2025 Annecy Awards.

Facing an incurable diagnosis, two poet lovers embark on a poignant yet unexpectedly humorous exploration of love, mortality, and life's moments.

Fire is complicated. Let's talk about it. Last fall, Del Fuego Field Work 2025 took community representatives on a series of field excursions to sites in our area that have recently been burned by wildfire. Each excursion included a featured speaker, who led conversations about the many ways we interact with and view changes in our dynamic forest ecosystems. Speakers included: forager-chef Johnny Ortiz-Concha, writer William deBuys, artist Kaitlin Bryson and a wildlife biologist Kristine Johnson. Discussions in the field were a blend of hard science, the humanities and traditional knowledge, and topics included loss, rejuvenation, grief and hope for the future. This interactive event will feature many of the speakers and other excursion participants. They will recount for the audience the topics and themes covered in the field, and share their personal reaction to witnessing burned areas themselves. The event will also include short films and other media produced during these trips. Audience participation in these conversations and related activities is strongly encouraged. Learn more at www.delfuegoproject.org

Love movies and never have the time to dissect each juicy moment in The Encore following a film at TCA? St. John’s College Tutor David Carl and IAIA Cinema Studies professor David Meyer present and dissect an international evening of film segments chosen for their visual/cinematic brilliance. This is a night for curious movie lovers, passionate cineastes and anyone who wants to know more about how and why movies work.

From Academy Award® winning writer/director Chloé Zhao, HAMNET tells the powerful love story that inspired the creation of Shakespeare’s timeless masterpiece, Hamlet.

Set after the war in Japan, when the country experienced rapid economic growth, Kikuo is born into a yakuza family. His strange fate leads him to be eventually taken in by a kabuki theater actor. He experiences turbulent times, but his talent as a kabuki actor blossoms.

A world-renowned K-Pop girl group balances their lives in the spotlight with their secret identities as bad-ass demon hunters, set against a colorful backdrop of fashion, food, style, and the most popular music movement of the current generation.

Marty Mauser, a young man with a dream no one respects, goes to hell and back in pursuit of greatness.

Broadcast live from The Old Vic in London, Academy Award-winner Sally Field (Steel Magnolias, Brothers & Sisters) and Bill Pullman (The Sinner, Independence Day) star in Arthur Miller’s blistering drama All My Sons. America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. They have built a home, raised two sons and established a thriving business. But nothing lasts forever and their contented lives, already shadowed by the loss of their eldest boy to war, are about to shatter. With the return of a figure from the past, long buried truths are forced to the surface and the price of their American dream is laid bare. Jeremy Herrin (NT Live: This House) directs the cast, which also includes Jenna Coleman (Victoria), and Colin Morgan (Merlin) alongside Bessie Carter, Oliver Johnstone, Kayla Meikle and Sule Rimi.

Sponsored by ARTSOUL, Inc., the popular and beloved Annual Night of 1000 Stars talent showcase features Taos area youth ages 5-19 who are Taos' best singers, dancers, actors, poets, musicians & bands.

Sisters Nora and Agnes reunite with their estranged father, the charismatic Gustav, a once-renowned director who offers stage actress Nora a role in what he hopes will be his comeback film. When Nora turns it down, she soon discovers he has given her part to an eager young Hollywood star. Suddenly, the two sisters must navigate their complicated relationship with their father — and deal with an American star dropped right in the middle of their complex family dynamics.

A father, accompanied by his son, goes looking for his missing daughter in North Africa.

GA $20 TCA Member $18 Youth $10 Family $50 ( Up to 4 admits, Must include at least 1 youth under 18)

GA $20 TCA Member $18 Youth $10 Family $50 ( Must include at least 1 youth under 18)

GA $20 TCA Member $18 Youth $10 Family $50 ( Must include at least 1 youth under 18)

As CEO of Blue Dasher Farm and Director of Ecdysis Foundation, Lundgren works directly with farmers and ranchers to demonstrate that healthy biological communities—from soil microbes to beneficial insects—are essential to productive, profitable agriculture.

American composer Gabriela Lena Frank makes her Met debut with her first opera, a magical-realist portrait of Mexico’s painterly power couple Frida Kahlo and Diego Rivera, with libretto by Pulitzer Prize–winning playwright Nilo Cruz. Fashioned as a reversal of the Orpheus and Euridice myth, the story depicts Frida, sung by leading mezzo-soprano Isabel Leonard, leaving the underworld on the Day of the Dead and reuniting with Diego, portrayed by baritone Carlos Álvarez. The famously feuding pair briefly relive their tumultuous love, embracing both the passion and the pain before bidding the land of the living a final farewell. Yannick Nézet-Séguin conducts the Met premiere of Frank’s opera, a “confident, richly imagined score” (The New Yorker) that “bursts with color and fresh individuality” (Los Angeles Times). The vibrant new production, taking enthusiastic inspiration from Frida and Diego’s paintings, is directed and choreographed by Deborah Colker, following her remarkable 2024 debut staging of Ainadamar.

ACT I Russia, 19th century. Autumn in the country. On the Larin estate. Madame Larina reflects upon the days before she married, when she was courted by her husband but loved another. She is now a widow with two daughters: Tatiana and Olga. While Tatiana spends her time reading novels, with whose heroines she closely identifies, Olga is being courted by their neighbor, the poet Lenski. He arrives unexpectedly, bringing with him a new visitor, Eugene Onegin, with whom Tatiana falls in love. Tatiana asks her nurse Filippyevna to tell her of her first love and marriage. Tatiana stays up all night writing a passionate letter to Onegin and persuades Filippyevna to have her grandson deliver it in the morning. Tatiana waits for Onegin’s response in the garden. He admits that he was touched by her declaration but explains that he cannot accept it and can only offer her friendship. He advises her to control her emotions, lest another man take advantage of her innocence. ACT II January. The local community has been invited to the Larin estate to celebrate Tatiana’s name day. Onegin has reluctantly agreed to accompany Lenski to what he mistakenly believes will be an intimate family celebration. Annoyed to find himself trapped at an enormous party and bored by the occasion, Onegin takes his revenge on Lenski by flirting and dancing with Olga. Lenski’s jealousy is aroused to such a height that he challenges Onegin to a duel. The party breaks up. Before the duel, Lenski meditates upon his poetry, upon his love for Olga, and upon death. Lenski’s second finds Onegin’s late arrival and his choice of a second insulting. Although both Lenski and Onegin are full of remorse, neither stops the duel. Lenski is killed. ACT III St. Petersburg. Having travelled abroad for several years since the duel, Onegin has returned to the capital. At a ball, Prince Gremin introduces his young wife. Onegin is astonished to recognize her as Tatiana and to realize that he is in love with her. Onegin has sent a letter to Tatiana. He arrives at the Gremin palace and begs her to run away with him. Tatiana admits that she still loves him, but that she has made her decision and will not leave her husband. Onegin is left desperate. —Reprinted courtesy of English National Opera

ACT I Isolde, an Irish princess, is being taken to Cornwall aboard the ship of Tristan, whose uncle, King Marke, plans to marry her. She becomes enraged by a sailor’s song about an Irish girl, and her maid, Brangäne, tries to calm her. Isolde interrogates Tristan, but he replies evasively. His companion Kurwenal loudly ridicules the Irish women and sings a mocking verse about Morold, Isolde’s fiancé, who was killed by Tristan when he came to Cornwall to exact tribute for Ireland. Isolde, barely able to control her anger, tells Brangäne how the wounded Tristan came to her in disguise after his fight with Morold so that he could be healed by Isolde’s knowledge of herbs and magic, which she learned from her mother. Isolde explains to Brangäne that she recognized Tristan, but her determination to take revenge for Morold’s death dissolved when he pleadingly looked her in the eyes. She now bitterly regrets her reluctance to kill him and wishes death for him and herself. Brangäne reminds her that to marry a king is no dishonor and that Tristan is simply performing his duty. Isolde maintains that his behavior shows his lack of love for her, and asks Brangäne to prepare her mother’s death potion. Kurwenal tells the women to prepare to leave the ship, as shouts from the deck announce the sighting of land. Isolde insists that she will not accompany Tristan until he apologizes for his offenses. He appears and greets her with cool courtesy. When she tells him she wants satisfaction for Morold’s death, Tristan offers her his sword, but she will not kill him. Instead, Isolde suggests that she and Tristan make peace with a drink of friendship. He understands that she means to poison them both, but still drinks, and she does the same. Expecting death, they exchange a long look of love, then fall into each other’s arms. Brangäne admits that she has in fact mixed a love potion, as sailors’ voices announce the ship’s arrival in Cornwall. ACT II In the garden of Marke’s castle, Isolde waits impatiently for a rendezvous with Tristan, while distant horns signal the king’s departure on a hunting party. Isolde believes that the party is far off, but Brangäne warns her about spies, particularly Melot, a jealous knight whom she has noticed watching Tristan. Isolde replies that Melot is Tristan’s friend. She sends Brangäne off to stand watch and puts out the warning torch. When Tristan appears, she welcomes him passionately. They praise the darkness that shuts out the light of conventionality and false appearances and agree that they feel secure in the night’s embrace. Brangäne’s distant voice warns that it will be daylight soon, but the lovers are oblivious to any danger and compare the night to death, which will ultimately unite them. Kurwenal rushes in with a warning: the king and his followers have returned, led by Melot, who denounces the lovers. Moved and disturbed, Marke declares that it was Tristan himself who urged him to marry and choose the bride. He does not understand how someone so dear to him could dishonor him in such a way. Tristan cannot answer. He asks Isolde if she will follow him into the realm of death. When she accepts, Melot attacks Tristan, who falls wounded into Kurwenal’s arms. ACT III Back at his castle, the mortally ill Tristan is tended by Kurwenal. A shepherd inquires about his master, and Kurwenal explains that only Isolde, with her magic arts, could save him. The shepherd agrees to play a cheerful tune on his pipe as soon as he sees a ship approaching. Hallucinating, Tristan imagines the realm of night where he will return with Isolde. He thanks Kurwenal for his devotion, then envisions Isolde’s ship approaching, but the shepherd’s mournful tune signals that the sea is still empty. Tristan recalls the melody, which he heard as a child. It reminds him of the duel with Morold, and he wishes Isolde’s medicine had killed him then instead of making him suffer now. The shepherd’s tune finally turns cheerful. Tristan gets up from his sickbed in growing agitation and tears off his bandages, letting his wounds bleed. Isolde rushes in, and he falls, dying, in her arms. When the shepherd announces the arrival of another ship, Kurwenal assumes it carries Marke and Melot, and barricades the gate. Brangäne’s voice is heard from outside, trying to calm Kurwenal, but he will not listen and stabs Melot before he is killed himself by the king’s soldiers. Marke is overwhelmed with grief at the sight of the dead Tristan, while Brangäne explains to Isolde that the king has come to pardon the lovers. Isolde, transfigured, does not hear her, and with a vision of Tristan beckoning her to the world beyond, she sinks dying upon his body.

Kermit and his new found friends trek across America to find success in Hollywood, but a frog-legs merchant is after Kermit.

Brazil, 1977. Marcelo, a technology expert in his early 40s, is on the run. Hoping to reunite with his son, he travels to Recife during Carnival but soon realizes that the city is not the safe haven he was expecting.

What the River Knows is a Good Intentions Paving Co. documentary exploring the reemergence of Glen Canyon from the receding waters of Lake Powell reservoir. As the West faces the urgent need to redesign water management, we are offered the chance to restore one of the planet's most stunning landscapes. What the River Knows explores this unique reflection point in a centuries-long history, weaving together past and present to reveal a new way forward for the Colorado River.