In celebration of ADA Day, The Roxie Theater will screen two films, SIGN 504 NOW!–a 30min documentary about the occupation of the SF HHS building by disabled activists in 1977, provided by the GLBT Historical Society– and VIVIEN’S WILD RIDE, a feature-length documentary about iconic local film editor Vivien Hilgrove’s experience with macular degeneration. Between these screenings, we will convene a panel of disabled activists and artists to reflect on the films screened and their greater context.

In an Italian seaside town, young Titta gets into trouble with his friends and watches various local eccentrics as they engage in often absurd behavior. Frequently clashing with his stern father and defended by his doting mother, Titta witnesses the actions of a wide range of characters, from his extended family to Fascist loyalists to sensual women, with certain moments shifting into fantastical scenarios.

"Ceci N’est Pas Une Porn..." How do YOU define porn? Will you know it when you see it? This short film curation explores the sexual image through creative storytelling and erotic animations.

The story of a widowed old man living by the Cui Hu Lake in Kunming city, trying to heal the emotional trauma of three generations and rebuild family ties.

ASCO: Without Permission challenges the limits of documentary conventions to tell the story of a revolutionary Chicano art group who turned 1970s LA into their defiant canvas. Merging activism with radical art-making, ASCO challenged the established order of Hollywood, museums, and media and are now considered amongst the 20th century's most significant artists. Director Travis Gutiérrez Senger mirrors their boundary-breaking spirit through a groundbreaking approach, weaving nonfiction and fiction together with a new generation of artists. The result is more than a profile — it's a reimagining of what's possible in art and cinema, celebrating iconoclasts who were decades ahead of their time. From executive producers, Gael García Bernal and Diego Luna.

ASK E. JEAN is the thrilling story of E. Jean Carroll’s life, from her early days as Miss Cheerleader USA to her rise as a trailblazing journalist, author, and beloved advice columnist.Carroll broke barriers as the first female editor at Esquire, Playboy, and Outside, helping to redefine women’s roles in media with her sharp wit and fearless voice. In recent years, she reignited public discourse by standing up to power, becoming the only woman to beat Donald Trump twice in court, and sparking a national conversation about truth, accountability, and resilience. This film is a portrait of an indomitable woman who proved it’s never too late to reclaim your voice, rewrite your story, and change the world.

Thirty years ago, Gail Ritchey, a young woman from a conservative Christian community in rural Ohio, had a stillborn birth alone and left the evidence in the woods. Now a devoted mother of three, her quiet suburban life is shattered when DNA evidence links her to the infamous cold case of “Geauga’s Child,” leading to her arrest for murder. Facing a possible life sentence, Gail must confront the weight of societal and religious pressures—and her own long-buried shame—to fight for her freedom.

Pioneering lesbian filmmaker, former San Franciscan, and Frameline Award winner Barbara Hammer takes center stage in Brydie O’Connor’s Teddy Award-winning debut feature. When Hammer came out as a lesbian in the ‘70s she “took off on a motorcycle with a super-8 camera,” leading to groundbreaking queer and experimental works like Dyketactics (1974) — one of the first-ever lesbian films — and, later, her celebrated first feature, Nitrate Kisses (1992). Throughout her monumental career, Hammer made over 90 moving-image works that often centered on her own life, body, and lovers — a monumental decision when such life-affirming, honest depictions of sapphic people were scarce. Bolstered by exquisitely edited archival footage, this beautifully intimate documentary assembles an equally lyrical portrait of the visual poet, illuminating how Hammer’s legacy continues to inspire artists and preserve our shared histories. At the same time, it never loses sight of the ambitious, funny, bold, and joyful woman at its center.

In the Eighteenth Century, in a small village in Ireland, Redmond Barry is a young farm boy in love with his cousin Nora Brady. When Nora gets engaged to the British Captain John Quin, Barry challenges him to a duel of pistols. He wins and escapes to Dublin but is robbed on the road. Without an alternative, Barry joins the British Army to fight in the Seven Years War. He deserts and is forced to join the Prussian Army where he saves the life of his captain and becomes his protégé and spy of the Irish gambler Chevalier de Balibari. He helps Chevalier and becomes his associate until he decides to marry the wealthy Lady Lyndon. They move to England and Barry, in his obsession of nobility, dissipates her fortune and makes a dangerous and revengeful enemy.

By Hook or by Crook chronicles the tale of two unlikely friends who commit petty crimes as they search for a path to understanding themselves and the outside world. Silas Howard plays Shy (a transgender man), who leaves his small town after the death of his father, and heads to the big city to live a life of crime. Along the way, he encounters Valentine, a quirky adoptee, in search of his birth mother. An immediate kinship is sparked between these men and they become partners in crime. Suffering money troubles, emotional problems, and physical confrontations, the duo face their issues head on and learn to trust each other and support each other in pursuit of their goals.

Carrie White, a shy, friendless teenage girl who is sheltered by her domineering, religious mother, unleashes her telekinetic powers after being humiliated by her classmates at her senior prom.

Two medics at the frontline of Ukraine's war try to hold on to fragments of the normal life they had before, hoping they can go back when the war is done.

Part of our series Wild, Weird, Wicked: Film From Before the Code! A woman cannot decide between two men who love her, and the trio agree to try living together in a platonic friendly relationship.

In celebration of their collaborative exhibition “A Slice of the Pie” featuring work from fifteen Bay Area galleries, Fraenkel Gallery presents this one-night-only special event celebrating the local arts scene. In addition to a slide show presenting the work on view in the exhibition, representatives from participating galleries will take the stage to answer the night’s big question. Moderated by San Francisco Chronicle Arts & Culture Columnist Tony Bravo, this multi-directional Q&A promises an informative, poignant, and hilarious evening.

A pair of sisters moving from Hunan to Hong Kong in the 1990's are faced with an identity crisis, poverty and their father's drug addiction.

Frances (Greta Gerwig) lives in New York, but she doesn’t really have an apartment. Frances is an apprentice for a dance company, but she¹s not really a dancer. Frances has a best friend named Sophie, but they aren’t really speaking anymore. Frances throws herself headlong into her dreams, even as their possible reality dwindles. Frances wants so much more than she has but lives her life with unaccountable joy and lightness. FRANCES HA is a modern comic fable that explores New York, friendship, class, ambition, failure, and redemption.

"A smorgasbord in sexual storytelling!" Experimental, explicit, funny, and just plain fun to watch, these short films span humor and creativity.

In Universal Pictures’ Get Out, a speculative thriller from Blumhouse (producers of The Visit, Insidious series and The Gift) and the mind of Jordan Peele, when a young African-American man visits his white girlfriend’s family estate, he becomes ensnared in a more sinister real reason for the invitation. Now that Chris (Daniel Kaluuya, Sicario) and his girlfriend, Rose (Allison Williams, Girls), have reached the meet-the- parents milestone of dating, she invites him for a weekend getaway upstate with Missy (Catherine Keener, Captain Phillips) and Dean (Bradley Whitford, The Cabin in the Woods). At first, Chris reads the family’s overly accommodating behavior as nervous attempts to deal with their daughter’s interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he could have never imagined. Equal parts gripping thriller and provocative commentary, Get Out is written and directed by Peele (Key and Peele) and produced by Blumhouse’s Jason Blum, as well as Sean McKittrick (Donnie Darko, Bad Words), Edward H. Hamm Jr. (Bad Words) and Peele. The film also stars Caleb Landry Jones (X-Men series), Stephen Root (No Country for Old Men), Milton “Lil Rel” Howery (The Carmichael Show), Betty Gabriel (The Purge: Election Year), Marcus Henderson (Pete’s Dragon) and Lakeith Stanfield (Straight Outta Compton).

A visceral investigative essay documentary from director Valerie Veatch, whose past Sundance-premiering films Me @ the Zoo (HBO) and Love Child (HBO) explore how emerging technologies reshape identity, culture, and global power. This new film is her most ambitious work yet - over eight chapters, Veatch helms an urgent excavation of the philosophical, cultural, and political forces driving the global AI boom.

An old mother and her middle-aged daughter, the aunt and cousin of Jacqueline Kennedy, live their eccentric lives in a filthy, decaying mansion in East Hampton.

This is the tale of a meeting between Lazzaro, a young peasant so good that he is often mistaken for simple-minded, and Tancredi, a young nobleman cursed by his imagination. Life in their isolated pastoral village Inviolata is dominated by the terrible Marchesa Alfonsina de Luna, the queen of cigarettes. A loyal bond is sealed when Tancredi asks Lazzaro to help him orchestrate his own kidnapping. This strange and improbable alliance is a revelation for Lazzaro. A friendship so precious that it will travel in time and transport Lazzaro in search of Tancredi. His first time in the big city, Lazzaro is like a fragment of the past lost in the modern world.

In a near future, a lonely writer develops an unlikely relationship with an operating system designed to meet his every need.

A French actress filming an anti-war film in Hiroshima has an affair with a married Japanese architect as they share their differing perspectives on war.

A crew of professional shoplifters takes aim at a cutthroat fashion maven. It's like community service.

Rewind Presents ~ Jawbreaker (1999) w/ Drag by Mary Vice! Directed by Darren Stein Join us for this high school cult classic black comedy about a birthday prank gone terribly wrong! Happy hour at Dalva at 8pm - show your ticket and get a discounted drink! “Jawbreaker (1999) is a study of the nature of power relations, a Foucauldian teen comedy that takes positions on sexuality, the criminal justice system, and body image issues. Jawbreaker may be high-key and cartoonish, but, like its namesake confection, it can be a challenge to digest. Courtney, Marcy, Julie, and Liz are the "Flawless Four," the non plus ultra of popularity at their high school. The leader, Courtney (Rose McGowan), is "like Satan in heels," while second-in-command Liz (Charlotte Ayanna), "the Princess Di of Reagan High," rules with kindness. Marcie (Julie Benz) is Courtney's loyal sycophant, while Julie (Rebecca Gayheart) has an independent streak and is critical of Courtney's leadership.” - Cosmo Bjorkenheim (Screen Slate) Follow us on instagram at rewindpresentssf for updates!

Our hero (voiced by rapper ACE COOL), called by a different name in each chapter of his life, becomes a J-pop idol, an outcast, a leader, and an oracle in this hundred-year chronicle spanning the past, present, and future. Through a chance encounter with a transfer student, he trains to become an idol, starting his search for self-identity and a journey toward greatness beyond superstardom. Written, directed, edited and entirely hand-drawn by newcomer Ryuya Suzuki over eighteen months, JINSEI (meaning “life” in Japanese) is an anime tour-de-force that announces Suzuki to the world as a bold new talent in independent animation.

A small-town detective searching for a missing man has only one lead: a connection with a New York prostitute.

Claude Chabrol’s forty-ninth feature stands as the crowning achievement of his prolific career—a coolly riveting study of class dynamics, the psychology of crime, and the sordid secrets lurking beneath the veneer of everyday life. A fascinatingly enigmatic, César Award–winning Isabelle Huppert is the chaotic yin to Sandrine Bonnaire’s tightly coiled yang. They are, respectively, a small-town postal worker and a maid to a wealthy family, a pair of outsiders who form a mysterious alliance that gradually, almost imperceptibly, goes haywire. With a master’s control of sound, editing, and suspense, Chabrol constructs a tour de force of sustained tension that delivers each brilliant shock with ice-pick precision.

Law of Desire takes place in a feverish universe in which life is theatre, and to truly live is to overact. Almodóvar takes as his protagonist a prolific writer–director, Pablo (Eusebio Poncela) and through him explores the possibilities of utter desire — desire that is at once a possession, and the wish to possess. Pablo is obsessed with a young lover, Juan, who can't be had; but it is Antonio, a one-night stand replacement for Juan, who teaches Pablo about true obsession when he wakes up the morning after, possessed and possessive.

With both parents working far away, ten-year-old Chuang is being raised by extended family in his home village, where thousands of years of rural tradition collide with the socio-economic changes of China in the early 1990s.

Small-time mobster Nicky (John Cassavetes) is holed up in a fleabag motel after finding out the boss he stole money from has put a hit out on him. Terrified and with nowhere to run, he calls on Mikey (Peter Falk), his oldest friend and the one person he thinks can save him. But does Mikey actually want to help Nicky this time, or is he merely leading him to his doom? Inspired by real-life figures from filmmaker Elaine May’s own childhood and anchored by electrifying performances from its stars—alongside supporting players Ned Beatty, Joyce Van Patten, and Carol Grace—Mikey and Nicky is a harrowing portrait of male friendship turned tragic and a masterpiece of American cinema.

A pair of young lovers flee their New England town, which causes a local search party to fan out and find them.

Aloof teenage Japanese tourists, a frazzled Italian widow, and a disgruntled British immigrant all converge in the city of dreams—which, in Mystery Train, from Jim Jarmusch, is Memphis. Made with its director’s customary precision and wit, this triptych of stories pays playful tribute to the home of Stax Records, Sun Studio, Graceland, Carl Perkins, and, of course, the King, who presides over the film like a spirit. Mystery Train is one of Jarmusch’s very best movies, a boozy and beautiful pilgrimage to an iconic American ghost town and a paean to the music it gave the world.

A hapless New York advertising executive is mistaken for a government agent by a group of foreign spies, and is pursued across the country while he looks for a way to survive.

1969. The year the Americans land on the moond and Gloria Diaz wins Miss Universe. Nora Aunor stars, in what is often deemed her finest performance, as Corazon de la Cruz, a Filipina nurse. Living near the US Clark Air Base on Luzon Island, she dreams of a better life in the United States… until the unspeakable happens. Directed by Lupita Aquino-Kashiwahara, Once A Moth is a long-lost, rarely-seen landmark of Filipino cinema, here miraculously salvaged and restored despite weather-worn elements and a missing first reel. A timeless, galvanizing, anti-imperialist classic conceived as a protest film against the unending occupation of the Philippines by foreign powers, it gives their wings back to those attracted and irrevocably burned by the flame of the American Dream.

Bergman's modernist masterpiece explores the volatile relationship between an actress who refuses to speak and the nurse overseeing her convalescence. After a mischievous montage 'explaining' the film's origins, the narrative proper gets underway, charting the increasingly tense battle of wits between the chatty Alma (Andersson) and the mute Elisabet (Ullmann), who are isolated together in a cottage on the island of Fårö. With a rich, resonant mix of related themes - the vampiric nature of art, the complex fragility of personality, the difficulty of communication - the film is arguably Bergman's most audacious and formally innovative work, multi-levelled yet utterly lucid. Sven Nykvist's lustrous camerawork, the subtle sound design and matchless lead performances combine to create a mesmerisingly beautiful work of unforgettable, haunting mystery.

A pickpocket unwittingly lifts a message destined for enemy agents and becomes a target for a Communist spy ring.

From the legendary Studio Ghibli, creators of Spirited Away, and Academy Award®-winning director Hayao Miyazaki, comes an epic masterpiece that has dazzled audiences worldwide with its breathtaking imagination, exhilarating battles, and deep humanity. Inflicted with a deadly curse, the young warrior Ashitaka heads west in search of a cure. There, he stumbles into a bitter conflict between Lady Eboshi, the proud people of Iron Town, and the enigmatic Princess Mononoke, a young girl raised by wolves, who will stop at nothing to prevent the humans from destroying her home and the forest spirits and animal gods who live there.

The French naval ship, Le Vengeur, based out of Marseille, has just docked in Brest for an extended stay. The ship's captain, Lieutenant Seblon, can see the passion in his men, which can as easily manifest itself in violence as it can in sex. Seblon has in part become an officer to remain at arms length from his men, one of them, Querelle, with who he is secretly in love. Querelle goes to La Feria, a bar and makeshift whorehouse owned and operated by husband and wife Nono and Lysiane, one of the whores. La Feria is infamous and notorious as anyone wanting sex with Lysiane must first roll the dice with Nono, Nono winning meaning that he will get to sodomize the loser instead. At La Feria, Querelle is surprised to see his brother, Robert, who is Lysiane's current on-going sexual partner, and who did not have to go through the roll of the dice with Nono is his special position with Lysiane. That passion in Querelle extends to his brother, the two who share more than just a family ...

"Balancing insightful documentaries and sexy fun." Beautiful, candid, and uncensored, these short adult documentary films offer new perspectives on sexuality.

Ku Stevens wants to be an elite runner, but when the remains of Native children are found, Ku must face his family's past while attempting to run towards his future.

Live screening w/ a presentation by The Professors Of Urgh: Chaki & Chris Slusarenko (the hosts of A Very Opinionated Look At Urgh! podcast) The screening will feature a presentation by The Professors Of Urgh!, Chaki & Chris Slusarenko, who have amassed over 55 episodes about the wheres, whys, and hows of the epic 80s concert film, URGH! A MUSIC WAR, coming to light. Speaking with guests such as Lesley Woods of Au Pairs, Hugo Burnham of Gang Of Four, Stan Ridgway of Wall Of Voodoo & Steve Bartek of Oingo Boingo, they have gotten the history of this film and its artists firsthand. Plus, they will unlock the jaw-dropping secrets of the incredible ingontio, head-scratching band, Invisible Sex (HEAR INVISIBLE SEX SPEAK TO YOU!!!!). About URGH! A MUSIC WAR: Considered one of the most ground zero documents of the late 70s/early 80s New Music Scene, URGH! A MUSIC WAR has rarely been seen on the big screen. Featuring 34 bands ranging from the well-known (The Police, Devo, X, Joan Jett, XTC, The Go-Gos & Gary Numan) to the true underground (Dead Kennedys, Magazine, The Cramps, Pere Ubu, Au Pairs, Klaus Nomi), the film is beautifully shot and recorded, allowing each band to sound and perform completely authentically. About THE PROFESSORS OF URGH!: Chaki is a Los Angeles-based electro-funk artist, performer, and underground culture instigator blending heavy bass, synth-driven grooves, and a surreal, offbeat stage presence. He has toured with El Vez and Fishbone and opened for Parliament Funkadelic, as well as opening multiple dates on tour for Jerry Harrison and Adrian Belew’s Remain in Light touring band. His latest release, From L.A. to the Bay on High Occulture Records, is a career-spanning 12" featuring classic bangers and three new cuts. Beyond music, Chaki is the creator of the Punk Rock Graveyard Tour at Hollywood Forever Cemetery, a cult-favorite experience exploring the resting places and stories of punk and underground icons. He is also a recurring guest on The Best Show with Tom Scharpling, hosted by Tom Scharpling. Chris Slusarenko is the host of the top ten Apple Music Interview podcast, Revolutions Per Movie— a guest-driven podcast about music films with guests such as Peter Buck of R.E.M., icon Paul Williams, Spiral Stairs of Pavement, Ann Magnuson & Kevin McDonald of Kids In The Hall. A lifelong musician with albums on Sub Pop & Rough Trade, he has been a member of Guided By Voices and Eyelids, and has also been an independent video store owner for over 20 years.

With her mother's diary in hand, Marina's search for official documents for university leads her to her biological family on the Atlantic coast. What starts as an administrative quest reveals long-buried family secrets.

Three decades ago, the Rose of Nevada vanished at sea, along with its crew. Now, it has returned. In a remote fishing village, its reappearance is embraced as an auspicious sign, with the local citizens convinced the luck of their economically devastated community may turn, if only the ship sails again. Joining the crew is Nick (George MacKay), desperate to provide for his young family, and Liam (Callum Turner), a mysterious drifter eager to escape his past. After a successful voyage, they return to harbour, only to find that nothing is as they remember it. Shooting on a 16mm Bolex camera and constructing all the sound in post, Mark Jenkin writes, directs, edits and scores a haunting and hallucinatory time-travel mystery that further solidifies him as one of the most distinct, singular artists working in film today. Jenkin conducts a cinematic séance, conjuring a portal into another world that forces us to confront the past and our relationship to it.

"If you think you know porn, think again!" From fantastical roleplaying to representation that matters, these short films reflect the wide range of what sex looks like on camera.

Armed with a 16mm camera and a grant to make a documentary about the lingering aftermath of William Tecumseh Sherman’s 1864 march to the sea, Ross McElwee gets sidetracked. After his girlfriend breaks up with him, Ross shifts his attention from the historical to the personal, to the battlefield of modern love, and embarks on a sociological chronicle that documents the courting rites and rituals of the New South. A generous and humanistic portrait of several remarkable women that Ross meets along the way, Sherman’s March sketches its characters with novelistic sensitivity: Pat, an aspiring actress with a yen for Burt Reynolds; Claudia, a roller-skating interior designer; Jackie, the activist whose anti-nuclear advocacy dovetails with Ross’s deepest fears; and above all, Charleen Swansea, Ross’s mentor and a one-woman Greek chorus of unsolicited romantic counsel. A landmark of first-person filmmaking that presaged everything from Michael Moore to reality TV.

Before graduation, Ethan and Alex pose as trans women in a last ditch effort to quell gay rumors. It's all a joke until Ethan realizes: she really is trans. The two must reckon with their changing friendship, coming out, and coming-of-age.

After his family is murdered by a notorious and ruthless bandit, a former police officer enlists the services of two outlaws to capture the bandit.

It is set in the botanical garden of Marburg, a medieval university town in Germany, and tells three stories connected to a tree over a period of more than 100 years.

A psychologist is sent to a station orbiting a distant planet in order to discover what has caused the crew to go insane.

Being connected to nature, what does it mean? Father knows and father shows. The director's father is 84. We follow in his footsteps into the mountain home. Into nature's smallest life and out to grand panoramas, where he grew up.

A portrait of Sarah McBride’s historic run to become the first trans Member of Congress, the backlash that ensues, and her fight for change amidst intensifying political extremism.

Bruno Antony thinks he has the perfect plot to rid himself of his hated father, and when he meets tennis player Guy Haines on a train he thinks he's found the partner he needs to pull it off. His plan is relatively simple: Two strangers each agree to kill someone the other person wants gone. For example, Guy could kill his father and he could get rid of Guy's wife Miriam, freeing him to marry Anne Morton, the beautiful daughter of a U.S. Senator. Guy dismisses it all out of hand, but Bruno goes ahead with his half of the "bargain" and disposes of Miriam. When Guy balks, Bruno makes it clear that he will plant evidence to implicate Guy in her murder if he doesn't get rid of his father. Guy had also made some unfortunate statements about Miriam after she had refused to divorce him. It all leads the police to believe Guy is responsible for the murder, forcing him to deal with Bruno's mad ravings.

THE BLUES SOCIETY is a re-evaluation of the 1960s seen through the lens of the Memphis Country Blues Festival (1966-1969). It’s the story of Blues masters like Furry Lewis and Robert Wilkins, who had attained fame in the 1920s but were living in obscurity by the 1960s. It’s also the story of a group of white artists from the North and the South who created a celebration of African American music in a highly segregated city. THE BLUES SOCIETY follows the festival from its start in 1966 as an impromptu happening, through a period of cross-pollinization with New York’s East Village scene, and up to the 1969 Festival, which mushroomed into a 3-day event and garnered substantial print and television coverage - including an appearance on Steve Allen’s national PBS show, Sounds of Summer. Festival co-founder and legendary music Executive Nancy Jeffries says, “Everyone remembers the 60s as a party, but there was a seriousness of purpose to what we were doing.” Furry Lewis worked for decades sweeping the city streets, so the efforts to recognize his musical accomplishments echo the 1968 Sanitation Strike, where each worker’s sign proclaimed “I AM A MAN,” underlining the racist refusal to honor African Americans’ basic humanity. Reaching into the present, the film ends in a 2017 concert where Rev. John Wilkins returns to the stage he last shared with his father 48 years earlier. What is the legacy of the Memphis Country Blues Festival, and who do the blues belong to in 2020?

A staggering work of existential science fiction, The Face of Another dissects identity with the sure hand of a surgeon. Okuyama (Yojimbo's Tatsuya Nakadai), after being burned and disfigured in an industrial accident and estranged from his family and friends, agrees to his psychiatrist's radical experiment: a face transplant, created from the mold of a stranger. As Okuyama is thus further alienated from the world around him, he finds himself giving in to his darker temptations. With unforgettable imagery, Teshigahara's film explores both the limits and freedom in acquiring a new persona, and questions the notion of individuality itself.

As a young boy, H. N. Shantha Murthy ran away from home to escape the extreme poverty of his Indian village. He traveled the country in search of work, dreaming that one day his life would change. It did, following a serendipitous encounter with a couple visiting India from Houston, Texas. But life in the States was not exactly the “American Dream” come true. Karla Murthy’s film weaves together home videos and phone conversations recorded while her father worked as a gas station attendant in Texas. Alongside his story, she reflects on her own experiences as the daughter of immigrants (her mother is from the Philippines), trying to make a life of her own in New York City, and now as a mother of two boys. What emerges is an intimate love letter – a meditation on a complicated father-daughter relationship and a poignant tribute to the immigrant working class.

Part of our series Wild, Weird, Wicked: Films From Before the Code! One of the best and most literate movies from the great days of horror, The Most Dangerous Game stars Leslie Banks as a big-game hunter with a taste for the world’s most exotic prey—his houseguests, played by Fay Wray and Joel McCrea. Before making history with 1933’s King Kong, filmmakers Merian C. Cooper and Ernest B. Schoedsack wowed audiences with their chilling adaptation of this Richard Connell short story.

A very different kind of animated film. Make sure to leave the kids (and pets) at home for THE PLAGUE DOGS, a rarely-screened masterpiece of arthouse animation whose haunting memory will never leave you. This fascinating follow-up to 1978’s landmark WATERSHIP DOWN follows lab test dogs Snitter and Rowf, who jailbreak from their torture in a secret facility only to find that the outside world’s even more bleak. Since the dogs accidentally broke a vial used by plague researchers on their way out, the human world launches a lethal hunt. Here is a world where animals are not a blank slate for our ideals and morality, but are the direct expression of the animals themselves; Humanity’s the bad guy, and the audience is not left off the hook. Featuring a slew of top-tier British voice talents: John Hurt, Nigel Hawthorne, Judy Geeson and Patrick Stewart.

A fairy tale adventure about a beautiful young woman and her one true love. He must find her after a long separation and save her. They must battle the evils of the mythical kingdom of Florin to be reunited with each other.

Considered one of the greatest films ever made, The Rules of the Game (La règle du jeu), by Jean Renoir, is a scathing critique of corrupt French society cloaked in a comedy of manners in which a weekend at a marquis' country château lays bare some ugly truths about a group of haut bourgeois acquaintances.

These are the armies of the night. They are 100,000 strong. They outnumber the cops five to one. They could run New York City. Tonight they’re all out to get the Warriors. Analog Time Machine presents a cult classic party. Get ready for an immersive night of pre-film music, visuals, themed beer, and more, all with the gritty vibe of a graffiti covered subway car. Cannnn youuuu diggggg itttt?! This 1979 crime action classic sparked hysteria and outrage when it was first released. Of course, that only stoked its legendary status. The film tracks a Brooklyn gang on a mythic 30 mile journey from the north end of the Bronx to their home turf in Coney Island. Their only obstacle is every street gang in all the five boroughs. DOORS OPEN AT 8:45 FOR A DJ SET

Renowned Icelandic poet and author Andri Snær Magnason is chasing something elusive. As the glacial ice of his homeland melts, he constructs a cinematic time capsule to hold onto this moment and send it to the future, before everything he loves slips away. Using his own collected archives, his grandparents’ photographs, and films, as well as traditional songs and folktales, Andri interlaces his family’s story with that of the land around him. From Academy Award®-nominated director Sara Dosa, TIME AND WATER is a universal reflection on the power of home and what it means to be alive amid profound epochal change.

A filmmaker's rediscovered footage from 2001 captures a journey through Gaza, guided by Hasan, while searching for an old prison companion. The tapes reveal intimate moments of Palestinian life during a pivotal time.

Two out-of-work actors -- the anxious, luckless Marwood and his acerbic, alcoholic friend, Withnail -- spend their days drifting between their squalid flat, the unemployment office and the pub. When they take a holiday "by mistake" at the country house of Withnail's flamboyantly gay uncle, Monty, they encounter the unpleasant side of the English countryside: tedium, terrifying locals and torrential rain.