Come celebrate the 35th anniversary of an iconic Grateful Dead show as it makes a high-energy return to the big screen! On August 8th & 10th, join Dead Heads in your neighborhood - and around the world - for the 2026 Grateful Dead Meet-Up at the Movies. This can’t-miss event features the complete June 17, 1991 concert from Giants Stadium. The performance launches with a shocking "Eyes Of The World," finding the band in peak form from the very first notes. The setlist continues, seamlessly blending beloved classics like "Truckin’" and "Uncle John’s Band" with rarities such as "Saint Of Circumstance," "Might As Well," "New Speedway Boogie," and "China Doll." The major highlight of the night is the continuous teases of “Dark Star” edging its way in and out through the evening at six different points before finally exploding into the full song. The Dead capped off the spectacular night with The Band’s “The Weight,” a perfect song to send the crowd on its way. Considered one of the greatest shows of the band's final decade of performing, 6/17/91 offers a unique auditory experience as one of only two shows captured on 48-track tape. Enjoy a masterful surround sound mix by Jeffrey Norman and multi-camera visuals, featuring a rare cinematic appearance by both Bruce Hornsby and Vince Welnick. As a bonus, this extraordinary screening will also feature an exclusive sneak preview of the legendary “Shakedown Street” from the upcoming Merriweather 6/30/85 release, and a special introduction by Grateful Dead Legacy Manager and Audio archivist, David Lemieux. Join us, won’t you?

An actor limited to stereotypical roles because of his ethnicity, dreams of making it big as a highly respected performer. As he makes his rounds, the film takes a satiric look at African American actors in Hollywood.

An African American police detective is asked to investigate a murder in a racially hostile southern town.

In the fourth film of the Lone Wolf and Cub series, Ogami Itto is hired to kill a tattooed female assassin and battles Retsudo, head of the Yagyu clan, and his son Gunbei.

With the release in 1955 of Satyajit Ray’s debut, Pather Panchali, an eloquent and important new cinematic voice made itself heard all over the world. A depiction of rural Bengali life in a style inspired by Italian neorealism, this naturalistic but poetic evocation of a number of years in the life of a family introduces us to both little Apu and, just as essentially, the women who will help shape him: his independent older sister, Durga; his harried mother, Sarbajaya, who, with her husband away, must hold the family together; and his kindly and mischievous elderly “auntie,” Indir—vivid, multifaceted characters all. With resplendent photography informed by its young protagonist’s perpetual sense of discovery, Pather Panchali, which won an award for Best Human Document at Cannes, is an immersive cinematic experience and a film of elemental power.

Sleepbomb is a San Francisco-based cinematic psychedelic post-rock band focused on full, original scores for genre films including The Cabinet of Dr. Caligari, Nosferatu and Metropolis, George Romero’s 1968 Night of the Living Dead and the epic swords & snakes of John Milius’ 1982 Conan the Barbarian. Frankenstein is a brand new Sleepbomb score, full of their signature psychedelic doom and gloom set to the iconic Boris Karloff performance as The Monster! Be there! Musically, Sleepbomb ranges from heavy doom riffs to dreamy shoegaze, dark soundscapes punctuated with shimmering guitar and ethereal organ. Originally stylistically close to a chaotic version of Throbbing Gristle vs Black Sabbath, Sleepbomb has been exploring experimental sounds and forms throughout their career, guided by the band’s love of Godspeed You! Black Emperor, Coil, Neurosis, Sunn 0))), Ulver and Swans, among others. Settling on a drone influenced style of psychedelic post-rock as the overarching theme while exploring other genres as appropriate for each film’s particular style, Sleepbomb’s goal is to re-contextualize the experience of these well known films.

World-famous pop group the Spice Girls zip around London in their luxurious double-decker tour bus having various adventures and performing for their fans.

Socially anxious hitman Melvin Smiley, an expert in his lucrative field, goes on a job and falls in love with his kidnapping victim, turning his world upside down.

Strange things begin to occurs as a tiny California coastal town prepares to commemorate its centenary. Inanimate objects spring eerily to life; Rev. Malone (Hal Holbrook) stumbles upon a dark secret about the town's founding; radio announcer Stevie (Adrienne Barbeau) witnesses a mystical fire; and hitchhiker Elizabeth (Jamie Lee Curtis) discovers the mutilated corpse of a fisherman. Then a mysterious iridescent fog descends upon the village, and more people start to die.

A Black champion boxer and his white female companion struggle to survive while the white boxing establishment looks for ways to knock him down.

The Last Unicorn, 1982 Directed by Jules Bass, Arthur Rankin, Jr. THERE’S MAGIC IN BELIEVING! From a riddle-speaking butterfly, a unicorn learns that she is supposedly the last of her kind, all the others having been herded away by the Red Bull. The unicorn sets out to discover the truth behind the butterfly’s words. She is eventually joined on her quest by Schmendrick, a second-rate magician, and Molly Grue, a now middle-aged woman who dreamed all her life of seeing a unicorn. Their journey leads them far from home, all the way to the castle of King Haggard.

Alex, who's homeless and addicted to alcohol, and Michèle, who's losing her sight, form a relationship while sleeping rough on Paris's Pont-Neuf bridge.

The Matrix, 1999 Directed by Lilly Wachowski, Lana Wachowski WELCOME TO THE REAL WORLD. Set in the 22nd century, The Matrix tells the story of a computer hacker who joins a group of underground insurgents fighting the vast and powerful computers who now rule the earth.

The Odyssey follows Odysseus, the legendary Greek king of Ithaca, on his long and perilous journey home following the Trojan War, chronicling his encounters with mythical beings such as the Cyclops Polyphemus, sirens, and the nymph Calypso, while attempting to reunite with his wife, Penelope.

The Odyssey follows Odysseus, the legendary Greek king of Ithaca, on his long and perilous journey home following the Trojan War, chronicling his encounters with mythical beings such as the Cyclops Polyphemus, sirens, and the nymph Calypso, while attempting to reunite with his wife, Penelope.

In this cult classic, sweethearts Brad (Barry Bostwick) and Janet (Susan Sarandon), stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter (Tim Curry), a transvestite scientist. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker (Meat Loaf) and a creepy butler (Richard O'Brien). Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named "Rocky." Doors open: 11:00 Pre-Show: 11:30 Movie Starts: Midnight!

Tommy Wiseau’s THE ROOM! THE ROOM is an electrifying black comedy about love, passion, betrayal, and lies, starring "The Disaster Artist" himself, writer/director Tommy Wiseau. He plays a successful banker with a great respect for and dedication to the people in his life, especially his best friend Mark (Greg Sestero) and future wife Lisa (Juliette Danielle). As the film depicts friendships and relationships in the lives of its five major characters, it raises life's real and most-asked question: "Can you really trust anyone?" A cult sensation, since 2003 now in its NEW San Francisco home The Balboa Theatre! So Grab Your Spoons, Red Dress, And Best Friends! Come Join The Party, It’s A Riot! With Your Host Michael Blythe! THE ROOM Plays The Balboa the First Saturday Of Every Month!

A young man embarks on an obsessive search for the girlfriend who mysteriously disappeared while the couple were taking a sunny vacation trip, and his three-year investigation draws the attention of her abductor, a mild-mannered professor with a clinically diabolical mind. An unorthodox love story and a truly unsettling thriller, Dutch filmmaker George Sluizer’s The Vanishing unfolds with meticulous intensity, leading to an unforgettable finale that has unnerved audiences around the world.

After years in prison, ace safe-cracker Frank owns a car dealership and a cocktail lounge, which are fronts for high-stakes jewelry heists. He wants to complete one last big heist for the Mob before he goes straight.

After nearly a decade as American Vogue's most subversive fashion photographer, William Klein made this wild, pseudovérité incursion into the world of Parisian haute couture. Elegant, scathing humor ties together the various strands of this alternately glamorous and grotesque portrait of American in Paris Polly Maggoo (Dorothy MacGowan), an Alice in Wonderland supermodel who becomes the pinup plaything of media hounds and the fragmented fantasy of haunted Prince Igor (Sami Frey). Klein's first fiction film is a daring deflation of cultural pretensions and institutions, dressed up in brilliant black and white.