The Roxy Theatres of Uxbridge

*Certified Fresh 95% and Verified Hot Popcorn Fresh 93% on RottenTomatoes.com* Critics Consensus - Wicker is a charming fable that strikes the right balance between naughty and nice, drawing much of its appeal from deftly deployed salty humour, seamless creature effects, and Olivia Colman's eminently lovable performance. TOP CRITIC, Marshall Shaffer – “It’s a thrilling rarity because it marries a disposition of childlike sincerity with a story whose themes are adult in more ways than one.” TOP CRITIC, Randy Myers - “Alex Huston Fischer and Eleanor Wilson’s ribald fable casts a comedic spell as it leads to a Satisfying finale. You’ll have a good time with this one.” TOP CRITIC, Johnny Oleksinski - “Quite like her Oscar-winning performance in “The Favorite,” Colman, who’s never afraid to act ridiculous, is untethered and batty until things get real. Or, as real as things can get when one’s hubby is an oversize vessel for potpurri.” TOP CRITIC, Robert Daniels - “Fischer and Wilson know that even the most fantastical must feel close and emotionally real. "Wicker," thankfully, is as real as it gets.” An audacious comedic fable about sex, marriage, and the absurdities of social convention, WICKER tells the wholly original love story of an ostracized fisherwoman (Olivia Colman) who commissions a husband to be made by the local basketmaker (Peter Dinklage). When her wicker husband (Alexander Skarsgård) proves more spectacular than she ever imagined, his soulful spirit and unique prowess awaken something inside her, setting off a wave of jealousy, fascination, and upheaval that threatens the very fabric of village life. Based on the short story "The Wicker Husband" by Ursula Wills.

*The #2 Movie in Canada!* Certified Fresh 98% and Verified Hot Popcorn Fresh 96% on RottenTomatoes.com Audience Says - You Can See Everything flips the documentary form on its head, adding surreal layers to this complex portrait of Holmes and her life -- with questions about how much of either can truly be seen. Critics Consensus - Nathan Fielder's ironclad commitment to the bit is pushed to its limit in You Can See Everything, an inscrutable Rorschach Test of Elizabeth Holmes' psyche that's as absorbing as it is haunting. TOP CRITIC, Max Weiss – “If you have any fear of getting bored during a three-hour film, I assure you, you won’t. Fielder has made something wholly original here.” TOP CRITIC, Sara Michelle Fetters - “And maybe that is the point. No matter how hard you try, no matter how deep you dig, sometimes the truth isn’t as clear or as obvious as it may seem.” TOP CRITIC, Peter Travers - “A three-hour cinema landmark from prickly Nathan Fielder that follows fraudster Elizabeth Holmes to jail and makes a winning case for being the first doc ever to get into the Oscar race for best picture.” TOP CRITIC, Johnny Oleksinski - “The ultimate takeaway of this absolutely sensational, reality-bending, unmissable documentary? With Elizabeth Holmes, we will never see everything.” Thirty-four days before she’s sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss.