Amélie is an innocent and naive girl in Paris with her own sense of justice. She decides to help those around her and, along the way, discovers love.

Please join CCA for our ongoing Community Reading Series in the Munoz Waxman Gallery. Please join CCA for this special poetry reading in the Studio Theater with Michele Bombardier and Miriam Sagan. Introductions will be made by Carol Moldaw.

London is terrorized by a vicious sex killer known as The Necktie Murderer. Following the brutal slaying of his ex-wife, down-on-his-luck Richard Blaney is suspected by the police of being the killer. He goes on the run, determined to prove his innocence.

All families are mad, not least the Canavans. A drama comedy with a twist, set in the wild West of Ireland. When Colm, the head of the family, dies, there are few who mourn his passing, not even his four estranged adult children. But, the legalities of his will must be observed, and more than one Canavan sibling is harbouring secrets. As the Canavans return to the family home, the fate of the family unit, their sanity, and the Canavan estate all hang in the balance.

A Phoenix secretary steals $40,000 from her employer's client, gors on the run and checks into a remote motel run by a young man under the domination of his mother.

Explores the romantic journey of PK Mahanandia, a Delhi street artist who trekked 6,000 miles by bicycle in 1977, venturing across continents to reunite with the woman he loved.

Filmmaker Rustin Thompson journeys into the American West on a search for traces of what was once a center of small-town life: the movie theater. On the trip, he finds long abandoned and forgotten cinemas; movie houses that have fallen into disrepair; theaters recently closed, theaters struggling to hold on, and theaters that—thanks to their thoughtful caretakers—are not only surviving but thriving. Between the stops along the way, Rustin poetically intersperses excerpts from Peter Bogdanovich’s 1971 classic film The Last Picture Show, as well as reflections on past and present hardships facing the film exhibition industry. The Last Picture Shows is not only a timely portrait of an industry in crisis, one facing the headwinds of consolidation, streaming, and the diminishing theatrical experience, but it also reminds viewers that even in vast cinema deserts, there are oases of community and gathering that remain, where the movie house continues to be a place of wonder, contemplation, and connection.

While attending a medical conference in Paris, American physician Dr. Ben McKenna, his wife, retired musical theater actress and singer Jo McKenna née Conway, and their adolescent son Hank McKenna decide to take a side trip to among other places Marrekesh, French Morocco. With a knife plunged into his back, Frenchman Louis Bernard, who the family met earlier in their bus ride into Marrakesh and who is now masquerading as an Arab, approaches Ben, cryptically whispering into Ben's ears that there will be an attempted assassination in London of a statesman, this news whispered just before Bernard dies. Ben is reluctant to provide any information of this news to the authorities because concurrently Hank is kidnapped by British couple, Edward and Lucy Drayton, who also befriended the McKennas in Marrakesh and who probably have taken Hank out of the country back to England. Whoever the unknown people the Draytons are working for have threatened to kill Hank if Ben divulges any information ...

A wealthy but neurotic Southern belle finds herself trapped in the hideout of a gang of vicious bootleggers. The gang's leader lusts after her, and is determined not to let anything stand in the way of his having her.

If you were invited to sit at a table with someone you’ve never met before and answer handwritten questions from a wooden box about the state of America, would you run the other way? The Work in Progress invites strangers from across generations and geographies to engage in candid discussions about America’s ever-evolving democracy, identity, and definitions of community — and where the heck we go from here. Guided by questions posed by Executive Producer Robert Reich, participants sit down in a series of conversations with one another to explore the country they’re living in now and the one they still believe is possible. These encounters are intercut with portraits of Americans at work — in woodshops, laboratories, fields, board rooms, recording studios, theaters, and beyond. The message is simple but profound: America can work because, in many ways, it’s already working. And a central part of the work ahead is to reclaim the practices of dialogue, debate, compromise, and perhaps most importantly, listening, so that we might find our footing again. What emerges in The Work in Progress is an unusual and provocative glimpse of America in its 250th year, and an invitation to all Americans to pull up a chair, invite a stranger, and lend an ear.

Martin Short, Eugene Levy, Gilda Radner, Victor Garber, Paul Shaffer, and other entertainment icons got their start in a 1972 Toronto production of the musical Godspell. Featuring interviews with the surviving cast members, Lin-Manuel Miranda, Mike Myers, and more, the film recounts a pivotal moment in comedy history, in hilarious, moving, and inspiring detail. Executive produced by Judd Apatow.