Based on Dexter Filkins’ resonant New Yorker article of the same name, about Marine Lu Lobello, haunted by memories of a deadly incident in Baghdad, whose journey of guilt and remorse leads him to reach out to Nora, the sole surviving member of the family he believes he may have harmed.

An archive-driven exploration of the life, work, and legacy of iconic, pioneering lesbian filmmaker Barbara Hammer.

The biography of Ron Kovic. Paralyzed in the Vietnam war, he becomes an anti-war and pro-human rights political activist after feeling betrayed by the country he fought for. Presented by The Wheelwright Museum of the American Indian during their exhibition Outburst. Outburst is the first exhibition to explore the intersection of activism, creativity, and the effects of military service on Native American art from the 1970s. Showcasing more than ninety works, drawn from both public and private collections, it aims to interpret the dynamic artworks that characterize this period through the experiences of Native veteran-artists. The Vietnam War (1965-1975) presents a multifaceted picture, subject to revisionism even during the conflict, due to the human cost on all sides. In the popular imagination, it generates a series of compelling– if unsettling associations– from Maya Lin to Andy Warhol, Jimi Hendrix to Francis Ford Coppola. Over 42,000 Native Americans served, proportionally three times more than the general population. Yet very little of the extensive literature that has developed around the Vietnam War focuses on the experiences, perspectives, or testimonies of Native veterans.

Four African American vets battle the forces of man and nature when they return to Vietnam seeking the remains of their fallen Squad Leader and the gold fortune he helped them hide. Presented by The Wheelwright Museum of the American Indian during their exhibition Outburst. Outburst is the first exhibition to explore the intersection of activism, creativity, and the effects of military service on Native American art from the 1970s. Showcasing more than ninety works, drawn from both public and private collections, it aims to interpret the dynamic artworks that characterize this period through the experiences of Native veteran-artists. The Vietnam War (1965-1975) presents a multifaceted picture, subject to revisionism even during the conflict, due to the human cost on all sides. In the popular imagination, it generates a series of compelling– if unsettling associations– from Maya Lin to Andy Warhol, Jimi Hendrix to Francis Ford Coppola. Over 42,000 Native Americans served, proportionally three times more than the general population. Yet very little of the extensive literature that has developed around the Vietnam War focuses on the experiences, perspectives, or testimonies of Native veterans.

FATHERLAND centres on the relationship between the Nobel Prize-winning writer Thomas Mann (Hanns Zischler) and his daughter Erika (Sandra Hüller) - actress, writer and rally driver. In the summer of 1949, at the height of the Cold War, father and daughter embark on a challenging and emotional road trip in a black Buick taking them across a Germany in ruins - from US dominated Frankfurt to Soviet controlled Weimar. Returning home after sixteen years of exile in the US, Thomas Mann has to face not only a divided fatherland, but also a deep fracture within his own family. With FATHERLAND, director Paweł Pawlikowski picks up where he left off with his award-winning IDA and COLD WAR, exploring – in his elliptic, distilled style - the themes of identity, family, love and guilt amid the turmoil and confusion of post-war Europe.

Mihai and Lisbet Gheorghiu, a Romanian-Norwegian Pentecostal couple, move with their five children from Romania to Norway after Mihai’s parents die, seeking closeness to Lisbet’s family, who share their faith. Settling in an isolated coastal village, they form a bond with their neighbors, the Halbergs. When their daughter Elia appears at school with bruises, suspicions arise about the family's strict religious upbringing. Fjord explores clashing worldviews, conformity, tolerance, and the boundaries of freedom and intimacy.

“Thoroughly captivating … vibrantly inventive … has a political undercurrent that feels quite timely … a lovingly hand-crafted project from a true maverick screen storyteller.” –Hollywood Reporter When, by executive decree, all the canine pets of Megasaki City are exiled to a vast garbage-dump called Trash Island, 12-year-old Atari sets off alone in a miniature Junior-Turbo Prop and flies across the river in search of his bodyguard-dog, Spots. There, with the assistance of a pack of newly found mongrel friends, he begins an epic journey that will decide the fate and future of the entire Prefecture. The latest delight from the six-time Oscar-nominated visionary Wes Anderson (RUSHMORE, GRAND BUDAPEST HOTEL) features the voices of Bill Murray, Bob Balaban, Bryan Cranston, Courtney B. Vance, Edward Norton, F. Murray Abraham, Fisher Stevens, Frances McDormand, Greta Gerwig, Harvey Keitel, Jeff Goldblum, Kara Hayward, Koyu Rankin, Liev Schreiber, Scarlett Johansson and Tilda Swinton. (U.S., 2018, 101m, Fox Searchlight)

A Palestinian American entrepreneur returns to the occupied West Bank and leads a movement of olive farmers to preserve their ecosystem, traditional knowledge and livelihoods through fair trade.

A Palestinian American entrepreneur returns to the occupied West Bank and leads a movement of olive farmers to preserve their ecosystem, traditional knowledge and livelihoods through fair trade. Please Join us for a special opening night event. The 84-minute film will play at 6 pm. It will be followed by a brief video statement from the film’s director, Maggie Lemere. CCA Board President Jackie Frank will conduct a post screening Q&A with the films Producer (20mins). After the film, Sana Morrow and Cine Club will host a reception in the lobby with white wine, pita bread, olive oil from the farmer’s cooperative featured in the movie, and olives.

A pair of young lovers flee their New England town, which causes a local search party to fan out and find them.

A decade post-death, filmmaker William Greaves reveals his final work: footage of a 1972 gathering he arranged with Harlem Renaissance legends, which he deemed his most significant capture.

Amanda and her stepfather Martin struggle with a moral issue that divides them. Has Amanda’s mother Leslie, who has dementia, lost the ability to make critical decisions in her own best interests? And, if so, who is responsible – a spouse, a child, an institution – for making such a determination? As Amanda and Martin are forced to make increasingly difficult choices, the repercussions spiral out of their control. Academy Award winner Juliette Binoche (The Taste of Things), Academy Award nominee Tom Courtenay (45 Years), Anna Calder-Marshall (Wuthering Heights), and Florence Hunt (Bridgerton) star in this unflinching drama. The film won the Silver Bear Jury Prize and Tom Courtenay and Anna Calder-Marshall won the Silver Bear for Best Supporting Performance at the 2026 Berlin International Film Festival.

Soul Patrol uncovers a hidden chapter of American military history by focusing on the Vietnam War's first Black special ops team, an elite unit operating deep behind enemy lines. With unprecedented access to this once-secretive group of African-American veterans, director J.M. Harper reconstructs their journey with an immediacy rarely seen in Vietnam War storytelling, using raw Super 8 footage, photographs, and audio recordings from their personal archives. Opening on the war’s 50th anniversary, the surviving members reunite in a hotel that becomes a surreal liminal space, where memory, brotherhood, and unresolved trauma collide. As the men reflect on their experiences, the film interrogates the contradictions of fighting for freedom abroad while facing inequality at home. Winner of the Directing Award for U.S. Documentary at the Sundance Film Festival, Soul Patrol is not just a war story, but a reckoning – an intimate portrait of survival, memory, and the enduring cost of war on those asked to fight it. Presented by The Wheelwright Museum of the American Indian during their exhibition Outburst. Outburst is the first exhibition to explore the intersection of activism, creativity, and the effects of military service on Native American art from the 1970s. Showcasing more than ninety works, drawn from both public and private collections, it aims to interpret the dynamic artworks that characterize this period through the experiences of Native veteran-artists. The Vietnam War (1965-1975) presents a multifaceted picture, subject to revisionism even during the conflict, due to the human cost on all sides. In the popular imagination, it generates a series of compelling– if unsettling associations– from Maya Lin to Andy Warhol, Jimi Hendrix to Francis Ford Coppola. Over 42,000 Native Americans served, proportionally three times more than the general population. Yet very little of the extensive literature that has developed around the Vietnam War focuses on the experiences, perspectives, or testimonies of Native veterans.

An in-depth examination of the ways in which the U.S. Vietnam War impacts and disrupts the lives of people in a small industrial town in Pennsylvania. Presented by The Wheelwright Museum of the American Indian during their exhibition Outburst. Outburst is the first exhibition to explore the intersection of activism, creativity, and the effects of military service on Native American art from the 1970s. Showcasing more than ninety works, drawn from both public and private collections, it aims to interpret the dynamic artworks that characterize this period through the experiences of Native veteran-artists. The Vietnam War (1965-1975) presents a multifaceted picture, subject to revisionism even during the conflict, due to the human cost on all sides. In the popular imagination, it generates a series of compelling– if unsettling associations– from Maya Lin to Andy Warhol, Jimi Hendrix to Francis Ford Coppola. Over 42,000 Native Americans served, proportionally three times more than the general population. Yet very little of the extensive literature that has developed around the Vietnam War focuses on the experiences, perspectives, or testimonies of Native veterans.

The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.

The story of 7 people on trial stemming from various charges surrounding the uprising at the 1968 Democratic National Convention in Chicago, Illinois. Presented by The Wheelwright Museum of the American Indian during their exhibition Outburst. Outburst is the first exhibition to explore the intersection of activism, creativity, and the effects of military service on Native American art from the 1970s. Showcasing more than ninety works, drawn from both public and private collections, it aims to interpret the dynamic artworks that characterize this period through the experiences of Native veteran-artists. The Vietnam War (1965-1975) presents a multifaceted picture, subject to revisionism even during the conflict, due to the human cost on all sides. In the popular imagination, it generates a series of compelling– if unsettling associations– from Maya Lin to Andy Warhol, Jimi Hendrix to Francis Ford Coppola. Over 42,000 Native Americans served, proportionally three times more than the general population. Yet very little of the extensive literature that has developed around the Vietnam War focuses on the experiences, perspectives, or testimonies of Native veterans.

Thirty-four days before she’s sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss. From boundary-pushing directors Nathan Fielder and Lance Oppenheim comes You Can See Everything.