When Naveen (Karan Soni) brings his fiancé Jay (Jonathan Groff) home to meet his traditional Indian family, they must contend with accepting his white-orphan-artist boyfriend and helping them plan the Indian wedding of their dreams.

As the growing resistance to the Vietnam War takes to the streets of 1969 Philadelphia, Dr. Audrey Evans (Natalie Dormer) is fighting her own revolution amid the dated, crowded hallways of the world-renowned Children’s Hospital of Philadelphia in this empowering true story. The British doctor may be the first female chief of pediatric oncology in CHOP’s history, yet her colleagues appear to withhold deserved respect. She finds herself the only woman in the room, balancing fierce determination with an undeniably tender bedside manner for the families of ill children. When her progressive new treatment methods are at first dismissed, and then nearly sidelined, Dr. Evans embarks on an unforgettable mission that will change the lives of millions of patients and their families. Director Ami Canaan Mann exquisitely captures an era of revolution to the world of medicine and the woman behind it, with Natalie Dormer embodying the playful warmth and passionate resolve of a true hero and co-founder of Ronald McDonald House Charities.

Join us for the CCA’s year-long Frederick Wiseman Retrospective, where we will showcase twelve of Wiseman’s rarely seen masterworks. Enjoy a Sunday matinee each month from October 2024 through September 2025. Each unique film will be screened just once on our massive Cinema Theater screen. Each film in CCA’s Frederick Wiseman Retrospective has recently been meticulously restored using original 16mm film negatives and sound elements, and has previously never been available in digital format. This monumental five-year long restoration project, overseen and approved by Wiseman himself, is a collaboration between Zipporah Films, the Library of Congress, DuArt Labs and Goldcrest Post Production. Merchandise Alert: Grab your Limited Edition Wiseman Retrospective t-shirts in the cinema lobby, available while supplies last! BALLET is a profile of the American Ballet Theatre, an important classical ballet company. The film presents the company in rehearsal in their New York studio and on tour in Athens and Copenhagen. Choreographers, ballet masters and mistresses are shown at work with principal dancers, soloists and the corps de ballet. Other sequences involve the administration and fundraising aspects of the company. "Ballet is an eloquent statement about the crucial role of art in bringing extra dimensions to our lives … As much as any seminarian, dancers have a special calling, an intense dedication. In classes and rehearsals, we see youngsters with ideal bodies looking for direction from those who have gone before. Outside the studios, they are just ordinary young people going to the beach… Then the lights go down, the curtain goes up and they are transformed into the vessels of incredible beauty." –John J. O'Connor, The New York Times "[Wiseman] follows American Ballet Theatre’s dancers, choreographers, and backstage personnel through the arduous construction of a dance. Whether he’s recording a ballet master’s interview with a young hopeful or observing Natalia Makarova giving instructions in the projection of glamour and allure, Wiseman remains transfixed by the rigorous and highly traditional notion of beauty that the workers are trying to honor." – The New Yorker "BALLET, in its characteristic unadorned, unsentimentalized manner, remains unique, and its portrait of ballet dancers at work has no parallel." –Alan M. Kriegsman, The Washington Post Total runtime: 129 mins

Presented as part of CCA’s monthly series on arthouse classics and underseen cinema, Closer Looks. This month’s selection was made by CCA staff member, Matthew Cannella, who will offer a brief introduction before the screening. ONE NIGHT ONLY! With her ravishingly sensual take on Herman Melville’s Billy Budd, Sailor, Claire Denis firmly established herself as one of the great visual tone poets of our time. Amid the azure waters and sunbaked desert landscapes of Djibouti, a French Foreign Legion sergeant (Denis Lavant) sows the seeds of his own ruin as his obsession with a striking young recruit (Grégoire Colin) plays out to the thunderous, operatic strains of Benjamin Britten. Denis and cinematographer Agnès Godard fold military and masculine codes of honor, colonialism’s legacy, destructive jealousy, and repressed desire into shimmering, hypnotic images that ultimately explode in one of the most startling and unforgettable endings in all of modern cinema. Total Runtime: 93 mins “A dazzling riff on Melville’s Billy Budd. You’ll never forget the final scene, when the amazing Denis Lavant starts to dance.” -Susan Sontag, Artforum “[Claire] Denis has crafted a psychological portrait as exquisite and harsh as the East African landscape so gorgeously captured by cinematographer Agnès Godard.” -CineWomen “Ardent and unflinching, Beau Travail looks beyond homoeroticism to the subtle, savage power games of an all-male world.” -Out Magazine “The movie is a mass of engorged muscles and entwined limbs; desire rerouted through conformity and cruelty in the rhythm of the night.” -WBUR’s Arts & Culture

BOB TREVINO LIKES IT is inspired by the true friendship that writer/director Tracie Laymon found with a stranger in real life while looking for her father online. Often playing the role of caretaker to people like her father, who should be caring for her, Lily Trevino longs for familial connection. When her father, Robert, finally checks out of her life, Lily looks for him on the internet. She tries to “friend” a man she believes is her father on Facebook. But instead of finding Robert Trevino, she finds Bob Trevino instead. Bob Trevino works long, hours at a construction company to support his wife Jeanie’s elaborate scrapbooking habit. The couple has endured a lot in the past decade, and Bob has prioritized his wife’s healing to the point of ignoring his feelings and sense of loneliness. When Bob gets an unexpected Facebook message from a stranger named Lily Trevino, he discerns she needs a friend as much as he does. Lily and Bob’s blossoming friendship becomes a vital source of connection and healing for both, holding the power to change each of their lives forever. Winner of an astounding thirteen film festival audience awards, BOB TREVINO LIKES IT retains the optimism that big tech can still provide human connection and that true friendship is a powerful kind of love and perhaps the family we need most in today’s world.

PRESENTED WITH CLOSED CAPTIONING FOR THE FIRST TIME EVER! Join us for the CCA’s year-long Frederick Wiseman Retrospective, where we will showcase twelve of Wiseman’s rarely seen masterworks. Enjoy a Sunday matinee each month from October 2024 through September 2025. Each unique film will be screened just once on our massive Cinema Theater screen. Each film in CCA’s Frederick Wiseman Retrospective has recently been meticulously restored using original 16mm film negatives and sound elements, and has previously never been available in digital format. This monumental five-year long restoration project, overseen and approved by Wiseman himself, is a collaboration between Zipporah Films, the Library of Congress, DuArt Labs and Goldcrest Post Production. Merchandise Alert: Grab your Limited Edition Wiseman Retrospective t-shirts in the cinema lobby, available while supplies last! The School for the Deaf at the Alabama Institute is organized around a theory of total communication i.e. the use of signs and finger spelling in conjunction with speech, hearing aids, lip reading, gestures and the written word. The film shows sequences dealing with various aspects of this comprehensive training such as teaching students and parents to sign; speech therapy; psychological counseling; regular academic courses; vocational training; disciplinary problems; parents visits; sports and recreational activity; training in living and working independently; and developing skills in home and money management. Total runtime: 164 mins "Not only does Wiseman present an empathetic picture of the disabled students and loving staff, but he makes his way into organizational meetings, the parental decision making process — all the facets of the lives of the disabled, as they find an increasing role in today’s society." –Arthur Unger, The Christian Science Monitor "Some of the teachers are deaf themselves, and their earnest professional devotion obviously draws on reservoirs of personal experience." –Robert Coles, The New Republic "If a time capsule were prepared today for opening in a couple of hundred years, ‘DEAF’ and ‘BLIND’ would be an ideal choice for inclusion. There’s no doubt that a society is reflected in its institutions. The Alabama Institute catches us at our most caring and compassionate moments.: –John J. O'Connor, The New York Times "Never a word of narration, never a voice telling us what we are seeing, guiding our reactions, advising us how to feel. We are on our own… The reward is a new awareness not only of the blind and deaf, but of those who work with them." –Michael Keman, The Washington Post

As an imminent construction project looms over their beloved baseball field, two New England recreational teams play ball for the last time. As day turns to night and innings bleed together, the players chat, laugh, and squabble as they face the uncertainty of a new era. Named for a rare curveball, Carson Lund’s poignant comedy is an ode to sports, community, and the passage of time.

Join us for the CCA’s year-long Frederick Wiseman Retrospective, where we will showcase twelve of Wiseman’s rarely seen masterworks. Enjoy a Sunday matinee each month from October 2024 through September 2025. Each unique film will be screened just once on our massive Cinema Theater screen. Each film in CCA’s Frederick Wiseman Retrospective has recently been meticulously restored using original 16mm film negatives and sound elements, and has previously never been available in digital format. This monumental five-year long restoration project, overseen and approved by Wiseman himself, is a collaboration between Zipporah Films, the Library of Congress, DuArt Labs and Goldcrest Post Production. Merchandise Alert: Grab your Limited Edition Wiseman Retrospective t-shirts in the cinema lobby, available while supplies last! Essene (1972) is about daily life in a Benedictine monastery and the resolution of conflict between personal needs and the institutional and organizational priorities of the community. In the Order, where the focus of life is the relationship of individual work and worship to the community as a whole, the brethren must cope with the same issues that arise in any community: rules, work, worship, values, love, and play. Total runtime: 86 mins "ESSENE is one of the best religious films ever made… Fred Wiseman’s cinema verite look at life inside a monastery also studies the essential meanings inherent in any institutional framework… It is fluid, extraordinarily honest and non theatrical experience… Wiseman conveys humility without resorting to humble expressions, an awareness of profound piety without mock spirituality… ESSENE raises the question of God urgently and eloquently." –Malcolm Boyd, The New York Times "Mr. Wiseman has given the viewer a superb human comedy — funny, pathetic, touching, absurd, moving." –John J. O'Connor, The New York Times

In her hypnotic documentary feature, Ethiopian-Mexican filmmaker Jessica Beshir explores the coexistence of everyday life and its mythical undercurrents. Though a deeply personal project—Beshir was forced to leave her hometown of Harar with her family as a teenager due to growing political strife—the film she returned to make about the city, its rural Oromo community of farmers, and the harvesting of the country’s most sought-after export (the euphoria-inducing khat plant) is neither a straightforward work of nostalgia nor an issue-oriented doc about a particular drug culture. Rather, she has constructed something dreamlike: a film that uses light, texture, and sound to illuminate the spiritual lives of people whose experiences often become fodder for ripped-from-the-headlines tales of migration.

Join us for the CCA’s year-long Frederick Wiseman Retrospective, where we will showcase twelve of Wiseman’s rarely seen masterworks. Enjoy a Sunday matinee each month from October 2024 through September 2025. Each unique film will be screened just once on our massive Cinema Theater screen. Each film in CCA’s Frederick Wiseman Retrospective has recently been meticulously restored using original 16mm film negatives and sound elements, and has previously never been available in digital format. This monumental five-year long restoration project, overseen and approved by Wiseman himself, is a collaboration between Zipporah Films, the Library of Congress, DuArt Labs and Goldcrest Post Production. Merchandise Alert: Grab your Limited Edition Wiseman Retrospective t-shirts in the cinema lobby, available while supplies last! HIGH SCHOOL (1968) was filmed at a large urban high school in Philadelphia. The film documents how the school system exists not only to pass on "facts" but also transmits social values from one generation to another. HIGH SCHOOL presents a series of formal and informal encounters between teachers, students, parents, and administrators through which the ideology and values of the school emerge. Total runtime: 75 mins "HIGH SCHOOL, a wicked, brilliant documentary about life in a lower-middle-class secondary school." –Richard Schickel, Life "HIGH SCHOOL shows no stretching of minds. It does show the overwhelming dreariness of administrators and teachers who confuse teaching with discipline. The school somehow takes warm, breathing teen-agers and tries to turn them into 40-year old mental eunuchs… No wonder the kids turn off, stare out windows, become surly, try to escape… The most frightening thing about ‘HIGH SCHOOL’ is that it captures the battlefield so clearly; the film is too true." –Peter Janssen, Newsweek "The high school is the very heart of America, and Wiseman has captured its strength and rhythm perfectly." –Edgar Z. Friedenberg, The New York Review of Books

Thursdays, 4:30-6:30p May 8, 15, 22, 29 Cost: $250 (For all four classes) Location: CCA Conference Room This spring, poet Elizabeth Jacobson is offering a new session of her popular workshop series Intimate Immersion. During this four-week in-person intensive, the focus is on generating new poems, critiquing each participant’s work, revising poems, and looking at elements of craft. Each meeting, participants are invited to bring a new poem (with copies for everyone) for workshop discussion. Since this is the first look, the process creates a deep. concentrated attention different from preparing critique notes ahead of time. Additionally, contemporary poems are provided as a catalyst for the following week’s writing prompt. This is an intimate, focused immersion to reinforce the writing practice and foster the evolution of new poems. To apply for a scholarship, contact [email protected] About Elizabeth Jacobson: Elizabeth Jacobson was the fifth Poet Laureate of Santa Fe, New Mexico and an Academy of American Poets Laureate Fellow. Her third collection of poems, "There Are as Many Songs in the World as Branches of Coral" is just out from Free Verse Editions/Parlor Press. Her previous book, "Not into the Blossoms and Not into the Air," won the New Measure Poetry Prize (FVE/Parlor Press, 2019) and the 2019 New Mexico-Arizona Book Award for both New Mexico Poetry and Best New Mexico Book. She is the reviews editor for the online literary journal Terrain.org. This program is supported by the Witter Bynner Foundation for Poetry

Thursdays, 4:30-6:30p October 2, 9, 16, 23 Cost: $250 (For all four classes) Location: CCA Conference Room This fall, poet Elizabeth Jacobson is offering a new session of her popular workshop series Intimate Immersion. During this four-week in-person intensive, the focus is on generating new poems, critiquing each participant’s work, revising poems, and looking at elements of craft. Each meeting, participants are invited to bring a new poem (with copies for everyone) for workshop discussion. Since this is the first look, the process creates a deep. concentrated attention different from preparing critique notes ahead of time. Additionally, contemporary poems are provided as a catalyst for the following week’s writing prompt. This is an intimate, focused immersion to reinforce the writing practice and foster the evolution of new poems. To apply for a scholarship, contact [email protected] About Elizabeth Jacobson: Elizabeth Jacobson was the fifth Poet Laureate of Santa Fe, New Mexico and an Academy of American Poets Laureate Fellow. Her third collection of poems, "There Are as Many Songs in the World as Branches of Coral" is just out from Free Verse Editions/Parlor Press. Her previous book, "Not into the Blossoms and Not into the Air," won the New Measure Poetry Prize (FVE/Parlor Press, 2019) and the 2019 New Mexico-Arizona Book Award for both New Mexico Poetry and Best New Mexico Book. She is the reviews editor for the online literary journal Terrain.org. This program is supported by the Witter Bynner Foundation for Poetry

The iconic moment when Mary Philbin removed Lon Chaney's mask in The Phantom of the Opera (1925, dir. Rupert Julian) is one of cinema’s most enduring images. Now, The Invincible Czars will bring their signature blend of eclectic instrumentation, adventurous arrangements and sense of emotional depth to this 100-year-old classic with their new, tastefully modern soundtrack, performing it live with the film in art house cinemas across the US and Canada in 2025. The tour will celebrate the 100th anniversary of this early American horror film. The band has been captivating both music and film enthusiasts across North America since 2015 when their soundtrack for Nosferatu earned them accolades in the art house community and made them staple of the silent film circuit. The Czars’ Phantom of the Opera soundtrack is the culmination of nearly a year of meticulous composition, recording, and collaboration. The group drew inspiration from the film’s gothic visuals and haunting narrative to craft a score using their primary instruments: piano, violin, electric guitar/bass, organ, flute, drums and bass clarinet. They create a live experience so immersive that it’s easy to forget the music is being played live at times!

Join us for the CCA’s year-long Frederick Wiseman Retrospective, where we will showcase twelve of Wiseman’s rarely seen masterworks. Enjoy a Sunday matinee each month from October 2024 through September 2025. Each unique film will be screened just once on our massive Cinema Theater screen. Each film in CCA’s Frederick Wiseman Retrospective has recently been meticulously restored using original 16mm film negatives and sound elements, and has previously never been available in digital format. This monumental five-year long restoration project, overseen and approved by Wiseman himself, is a collaboration between Zipporah Films, the Library of Congress, DuArt Labs and Goldcrest Post Production. Merchandise Alert: Grab your Limited Edition Wiseman Retrospective t-shirts in the cinema lobby, available while supplies last! JUVENILE COURT shows the complex variety of cases before the Memphis Juvenile Court: foster home placement, drug abuse, armed robbery, child abuse, and sexual offenses. The sequences illustrate such issues as community protection vs. the desire for rehabilitation, the range and the limits of the choices available to the court, the psychology of the offender, and the constitutional and procedural questions involved in administering a juvenile court. "Literally and figuratively, Wiseman opens the doors of perception in the daily routine of a juvenile court… (A) master educator, (he) refuses to preach or even teach, but we learn — and are immeasurably enriched by the experience." –Jerrold Hickey, The Boston Globe "The film’s chief impact stems from its graphic, often grim glances at the unforgettable subjects who are brought before the court… JUVENILE COURT does not attack the institution it explores, nor does it suggest new or different solutions to age old human problems." –David Sterritt, The Christian Science Monitor

In 1981 in L.A., Monica moves in next door to Quincy. They're 11, and both want to play in the NBA, just like Quincy's dad. Their love-hate relationship lasts into high school, with Monica's edge and Quincy's top-dog attitude separating them, except when Quincy's parents argue and he climbs through Monica's window to sleep on the floor. As high school ends, they come together as a couple, but within a year, with both of them playing ball at USC, Quincy's relationship with his father takes an ugly turn, and it leads to a break up with Monica. Some years later, their pro careers at a crossroads, they meet again. It's time for a final game of one-on-one with high stakes.

Film screening, conversation, and reception An evening to support Tomorrow’s Women Resist for Peace is a powerful film created by two Arab women peace activists – one Jewish and one Muslim-born – sharing the intimate stories of Palestinians and Israelis fighting for co-existence and connection on divided, war-torn land. A Tomorrow’s Women alumna is featured in the film. Join for a reception, followed by film screening and a conversation with the filmmakers and featured changemakers. 4 – 5 pm Reception 5 – 6 pm Film Screening 6 – 6:30 pm Conversation For the last 22 years, Santa Fe based non-profit Tomorrow’s Women has been the only cross-border peacebuilding organization in Israel, Gaza, and the West Bank that exclusively focuses on investing in the leadership skills of young women as a pathway to sustainable change and peace. Hundreds of women have been trained through our leadership, compassionate communication, and conflict resolution programs. Tomorrow’s Women alumni work in fields such as activism, education, journalism, law, social justice, public speaking, medicine, and refugee work, creating deep impact throughout the region and beyond. Visit us at http://www.tomorrowswomen.org/

Join us for the CCA’s year-long Frederick Wiseman Retrospective, where we will showcase twelve of Wiseman’s rarely seen masterworks. Enjoy a Sunday matinee each month from October 2024 through September 2025. Each unique film will be screened just once on our massive Cinema Theater screen. Each film in CCA’s Frederick Wiseman Retrospective has recently been meticulously restored using original 16mm film negatives and sound elements, and has previously never been available in digital format. This monumental five-year long restoration project, overseen and approved by Wiseman himself, is a collaboration between Zipporah Films, the Library of Congress, DuArt Labs and Goldcrest Post Production. Merchandise Alert: Grab your Limited Edition Wiseman Retrospective t-shirts in the cinema lobby, available while supplies last! ZOO is a film about the zoo in Miami, Florida, the care and maintenance of the animals by the keepers, the work of the veterinarians and their staff, and the visits to the zoo by people from all over the world. The film presents the wide diversity of interests and activities at the zoo and the interrelatedness of the animal, human, ethical, financial, technical, organizational and research aspects of operating the zoo. Total runtime: 130 mins "ZOO is a brooding, poignant, poetic consideration of nothing less than the human condition… The awe and wonder and the gratitude we all feel is up there on the screen, but it is humbling, because as Rabbi Wiseman shows us, we are not adequate to be keepers, no matter how hard we may try or how fervently we may pray for help and guidance." –David R. Slavitt, Chronicles "Zoo visitors busily photograph, videotape, and peer through various ocular apparatuses as if they couldn’t see without them; the dedicated, caring staff assiduously records every aspect of their animal charges’ lives, loves, and deaths." –Melissa Pierson, Vogue