PGfor thematic material involving hardships and suffering
The Mormon pioneers trek across the plains.
J. Edgar Hoover hated Martin Luther King. He was convinced the civil rights movement was infiltrated by communists. He also disapproved of King's private life, calling him "a tom-cat with obsessive degenerate sexual urges." Perhaps most of all, he feared King as a radical, a subversive bent on challenging the cherished system of segregation and the status quo. To ruin King he used every means at his disposal. William Sullivan, Hoover's right-hand man and head of the notorious COINTELPRO division of the FBI, once said in their pursuit of King, "no holds were barred." Bugs were planted in King's hotel rooms, his phones tapped, informants paid. The Bureau enlisted journalists to write hostile stories about King, never alerted him to threats on his life, and when King received the Nobel Peace Prize in 1964, the FBI threatened to blackmail him unless he committed suicide. Utilizing a trove of documents obtained through the Freedom of Information Act and unsealed by the National Archives, MLK/FBI tells this astonishing and tragic story for the first time. The film contrasts Hoover and King, two powerful, iconic figures who, despite all of their differences, saw themselves in the same way, as a protector of liberty--a guardian of the American dream. Yet their view of that dream could not have been more opposed, and to examine their strange and tortured relationship is to ask questions as central to our time as it was to theirs. What is "free," what is "American"? What do we mean when we use those words, and who controls the definitions?
PG-13for sequences of creature action and violence throughout.
Based on the bestselling video game series comes MONSTER HUNTER. Behind our world, there is another: a world of dangerous and powerful monsters that rule their domain with deadly ferocity. When Lt. Artemis (Milla Jovovich) and her loyal soldiers are transported from our world to the new world, the unflappable lieutenant receives the shock of her life. In her desperate battle for survival against enormous enemies with incredible powers and unstoppable, terrifying attacks, Artemis will team up with a mysterious man (Tony Jaa) who has found a way to fight back.
A Texan traveling across the wild West bringing the news of the world to local townspeople, agrees to help rescue a young girl who was kidnapped.
PGfor thematic elements and some language
The true story of a newly appointed African-American coach and his high school team on their first season as a racially integrated unit.
PG-13for thematic material including violence and peril
On May 16, 1986, in the small, ranching community of Cokeville, Wy, David and Doris Young took an elementary school hostage for several hours before detonating a bomb inside a single classroom that held every teacher and student in the school. In the wake of the madness, Ron Hartley, whose children were inside the classroom, must fight his skepticism and unbelief as he hears eye witness accounts from the students of miraculous, heavenly intervention during the crisis. When tragedy strikes... what do you see?
PGfor peril, action and rude humor
The prehistoric family the Croods are challenged by a rival family the Bettermans, who claim to be better and more evolved.
Rfor violent/disturbing images, language and full nudity.
Two cops track down a serial killer.
A rancher on the Arizona border becomes the unlikely defender of a young Mexican boy desperately fleeing the cartel assassins who've pursued him into the U.S.
PGFor rude humor, language, and some thematic elements.
Peter is thrilled that Grandpa is coming to live with his family. That is, until Grandpa moves into Peter's room, forcing him upstairs into the creepy attic. And though he loves his grandpa he wants his room back - so he has no choice but to declare war. With the help of his friends, Peter devises outrageous plans to make Grandpa surrender the room. But Grandpa is tougher than he looks. Rather than give in, Grandpa plans to get even.
PG-13for sequences of action and violence.
Fast forward to the 1980s as Wonder Woman's next big screen adventure finds her facing two all-new foes: Max Lord and The Cheetah.