A female girlie club entertainer in Weimar Republic era Berlin romances two men while the Nazi Party rises to power around them.

On Friday, a single e-mail blips through the Internet. The word spreads quickly through the city: the party is on. Saturday evening, two hundred people secretly converge at an abandoned San Francisco warehouse. As the sun sets the records start spinning, setting into motion a night that no one will forget. David Turner, his brother Colin and Colin's girlfriend, Harmony go to Groove and have a night that changes the brothers forever.

The creator of "Hamilton" and the director of "Crazy Rich Asians" invite you to the event of the summer, where the streets are made of music and little dreams become big... "In the Heights." Lights up on Washington Heights...The scent of a cafecito caliente hangs in the air just outside of the 181st Street subway stop, where a kaleidoscope of dreams rallies this vibrant and tight-knit community. At the intersection of it all is the likeable, magnetic bodega owner Usnavi (Anthony Ramos), who saves every penny from his daily grind as he hopes, imagines and sings about a better life. "In the Heights" fuses Lin-Manuel Miranda's kinetic music and lyrics with director Jon M. Chu's lively and authentic eye for storytelling to capture a world very much of its place, but universal in its experience.

Slapstick prevails again when Jacques Tati’s eccentric, old-fashioned hero, Monsieur Hulot, is set loose in Villa Arpel, the geometric, oppressively ultramodern home of his brother-in-law, and in the antiseptic plastic hose factory where he gets a job. The second Hulot movie and Tati’s first color film, Mon oncle is a supremely amusing satire of mechanized living and consumer society that earned the director the Academy Award for best foreign-language film.

For his final film, Jacques Tati takes his camera to the circus, where the director himself serves as master of ceremonies. Though it features many spectacles, including clowns, jugglers, acrobats, contortionists, and more, Parade also focuses on the spectators, making this stripped-down work a testament to the communion between audience and entertainment. Created for Swedish television (with Ingmar Bergman’s legendary director of photography Gunnar Fischer serving as one of its cinematographers), Parade is a touching career send-off that recalls its maker’s origins as a mime and theater performer.

PlayTime, 1967 Directed by Jacques Tati Clumsy Monsieur Hulot finds himself perplexed by the intimidating complexity of a gadget-filled Paris. He attempts to meet with a business contact but soon becomes lost. His roundabout journey parallels that of an American tourist, and as they weave through the inventive urban environment, they intermittently meet, developing an interest in one another. They eventually get together at a chaotic restaurant, along with several other quirky characters.

West Side Story 1961 Directed by Robert Wise, Jerome Robbins THE SCREEN ACHIEVES ONE OF THE GREAT ENTERTAINMENTS IN THE HISTORY OF MOTION PICTURES In the slums of the upper West Side of Manhattan, New York, a gang of Polish-American teenagers called the Jets compete with a rival gang of recently immigrated Puerto Ricans, the Sharks, to “own” the neighborhood streets. Tensions are high between the gangs but two kids, one from each rival gang, fall in love leading to tragedy.