Rfor strong sexuality, drug use and language
Shane, a Jersey boy with big dreams, crosses the river in hopes of finding a more exciting life at Studio 54. When Steve Rubell, the mastermind behind the infamous disco, plucks Shane from the sea of faces clamoring to get inside his club, Shane not only gets his foot in the door, but lands a coveted job behind the bar – and a front-row seat at the most legendary party on the planet.
Muscle presents a special evening with filmmaking, screening, performance, and cruising collective alterotics. Co-founded by Anaïs Alias and Avery Jaye in 2023, the group’s transgressive moving-image sex art—like the Stephen Sayadian-influenced Rat Trap—has quickly found a hungry audience both at international queer film festivals and especially in Chicago, where they have fostered a growing community centered around their monthly cruising parties. For this screening, we’ll present a survey of the group’s work over the past three years, including its latest short film, Character Syndrome. All four films are New York premieres. Rat Trap (2025, 15min) Angel is your typical rat girl: sneaking through grocery stores, shoplifting cheeses, scurrying. The world is her dumpster... until one night she falls into the clutches of pervert ratologist Dr. Fontina. Abducting the rat girl and taking her to a lab deep underground, Fontina and her lackeys use science to put Angel into a state of teledildonic trance. She can’t resist. Infused with orgasmic energy, her body becomes an experiment in rat-human transgenesis. A hybrid girl squeaking with lust. And to Dr. Fontina this creature becomes a plaything, a seductress, a variable out of control… You’ll never guess—or forget—what happens next. Don’t miss this genre-bending romp featuring an all trans cast, crew, and production team. Superlunacy Clinic (2023, 21min) Anais and Avery talk art, politics, and “the big O” in an exclusive interview with journalist Wendy Stroker. After seducing Stroker into a career-ending snafu, however, the two starlets are bound to face her wrath. Their fate: to be devoured by the spawning sturgeons of Lake Michigan. Marvel in lust as girls and fish get frisky under the radiance of a supermoon!!! The Naturists (2026, 21 min) alterotics culturati Avery Jaye and Anais Alias explore the perverse intimacies—and frictions—of the notoriously gay sand dunes on a drizzly day trip to the lake retreat town of Saugatuck, MI. Character Syndrome (2026, 35min) Yes, exactly: in Character Syndrome, therapy *itself* becomes a new digital neurosis. Seeking your undoing here genuinely makes sense. POV you’re Lisa Boston: relationship therapist, sex worker, gambling addict, and all-around dopamine burnout. Managing these scattered persona-streams is all you care about, overriding any concern for your clients’ wellbeing. You’re losing it, succumbing to every failure mode—until a background observer kindly pops in to help. alterotics is an arts collective devoted to activating public life for trans/queer people. Moving-image sex art, archival research, event hosting, and community building make up the broad strokes of their practice. It was co-founded and currently run by Anais Alias and Avery Jaye.
Rfor drug and sexual content, language and a brief violent image.
An undercover cop in a not-too-distant future becomes involved with a dangerous new drug and begins to lose his own identity as a result.
The feature debut from Bad Bunny collaborator STILLZ and featuring the first original score by Arca, BARRIO TRISTE is a generational portrait of Colombia’s forgotten youth, both personal and specific in its perspective, yet unclassifiable in its formal audacity. Accentuated by Arca’s intense, shape-shifting sonic palette, STILLZ boldly navigates the liminal spaces between despair and transcendence in “one of the year’s great debuts.” (The Film Stage)
Bird In Hand is a 2025 American comedy-drama film written and directed by Melody C. Roscher, in her directorial debut. It stars Alisha Wainwright, Christine Lahti, James Le Gros, Annabelle Dexter-Jones, Jeffrey Nordling and K. Todd Freeman. It had its world premiere at the 2025 Tribeca Festival on June 6, 2025.
Castration Movie Chapter iii. Junior Ghosts—Premorphic Drift; a fragmentary passage Castration Movie is a multi-part postmodern epic by visionary auteur Louise Weard. In Chapter iii. Junior Ghosts—Premorphic Drift, Izzy (Avalon Fast) seeks out everything in her power to stop her partner (Henri Gillespi) from transitioning.
City Dudes is the new monthly “blindfolded” screening series at the Roxy Cinema New York curated and hosted by the American cinematographer Sean Price Williams and the American writer Nick Pinkerton. Might could be they’ll have the occasional Exciting Guest on-hand as well.
for language, crude and sex-related humor, and some drug references.
A workaholic architect finds a universal remote that allows him to fast-forward and rewind to different parts of his life. Complications arise when the remote starts to overrule his choices.
Rfor strong violence, pervasive language, sexuality, nudity and drug use
Chev Chelios, a hit man wanting to go straight, lets his latest target slip away. Then he awakes the next morning to a phone call that informs him he has been poisoned and has only an hour to live unless he keeps adrenaline coursing through his body while he searches for an antidote.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
On their first summer back from college, best friends Curtis, Jimmy, and Abe embark on a fantastical 24-hour odyssey of drugs and alcohol on their way to a house party hosted by Curtis’s ex-girlfriend, Jane. When their pursuit of hedonism leads to Jane and Curtis reuniting prematurely, Curtis is unable to handle his emotions and loses touch with his relationships and reality.
A 19-year-old girl prepares to become a suicide bomber in Times Square. She speaks with a nondescript American accent, and it's impossible to pinpoint her ethnicity. We never learn why she made her decision -- she has made it already. We don't know whom she represents, what she believes in - we only know she believes it absolutely.
Roommates Lisa, Beth, and Tess are three young women who each share the same goal of hooking up with their respective male bosses. While their attempts at seduction get off to a rough start, their peeping tom neighbor Billy spends his days spying through keyholes and trying to get a piece of the action. Will these roommates finally make it with their managers? And what about Billy? Octogenarian filmmaker and “Queen of Sexploitation” Doris Wishman was working at a sex shop in Miami in the early 90s when she met experimental musician Tom Smith (To Live and Shave in L.A.), spurring a full-blown career revival that saw her honored at film festivals around the world and featured on HBO’s Real Sex and Late Night with Conan O’Brien. Intended to be her comeback movie, Dildo Heaven premiered at the New York Underground Film Festival just months before her passing in 2002 and then was never officially widely released until now. A charming shot-on-video sex comedy that defies all description—and surely the only movie by a senior citizen to feature an original rap theme song—Dildo Heaven is a fitting swan song for one of the most beloved cult filmmakers of all time. New digital restoration by Muscle Distribution.
Dog Movie (2023, 56MIN) A passive-aggressive tenderqueer couple sends their household into a quiet tailspin when they adopt an elderly dog who shares the same name as the unemployed couch surfer they just can’t seem to confront in Bros Before filmmaker Henry Hanson's improvised microbudget debut feature, which he/they describe as “the trans Curb Your Enthusiasm.” Puppy Girl (2026, 55MIN) A semi-delusional trans woman (Milo Talwani) embarks on a shocking, bizarre, and oddly touching personal odyssey to undo years of sexual repression by performing in puppygirl fetish porn in Henry Hanson's gonzo documentary.
Early twenties Iris (Jillian Frank) and Palmer (Avalon Fast) never left their hometown. They work at the same restaurant, share the same bed, and both have a habit of drinking and driving. They run into Levi (Ethan Hawksworth), a guy they used to know. They spend time with him and his cousin, Phoenix (Henri Gillespi), in cars, backyards, and other people's bedrooms. When Levi shares a dream he had with Iris, things change between the four of them. The reality of the summer becomes faded, the parties die. The four end in a field of unified confusion.
Rfor sexual content, violence/bloody images and language.
Small town hairdresser Gail Daughtry is engaged to her devoted high school sweetheart, Tom. Her life takes a turn when a trip to a book signing leads to Tom meeting – and sleeping – with his “celebrity pass”. Reeling from the betrayal, Gail impulsively joins her friend Otto on a trip to Los Angeles, where a psychic convinces Gail that the only way to save her marriage is to “even the scales” with her own celebrity pass: Jon Hamm. Thus begins an epic journey through Tinseltown as Gail and Otto join forces with a talent agency assistant, a paparazzo, and actor John Slattery, all in the search for Hamm. Along the way, they collide with celebrities and are hunted by a group of Italian assassins as they get ever closer to finding the elusive star.
This film covers the early history of post World War II educational films, especially those involving traffic safety by the Highway Safety Foundation under direction of Richard Wayman. In the name of promoting safe driving in teenagers, these films became notorious for their gory depiction of accidents to shock their audiences to make their point. The film also covers the role of safety films of this era, their effect on North American teenage culture, the struggle between idealism and lurid exploitation and how they reflected the larger society concerns of the time that adults projected onto their youth.
Rfor some strong/bloody violence, sexual content, and language.
When a mysterious mist engulfs a futuristic metropolis, unleashing a deadly and elusive entity, a troubled young woman searches for her father. Her quest collides with an American GI on a harrowing odyssey to rescue his daughter from Hell.
Rfor strong sexual content, graphic nudity, and pervasive language.
When fresh-faced Elliot (Hoffman) lands an exciting job for renowned artist, icon and provocateur Erika Tracy (Wilde), his fantasies come true as Erika taps him to become her sexual muse. But Elliot soon finds himself out of his depth as Erika takes him on a journey more profound than he ever could have imagined, into a world of sex, obsession, power, betrayal and murder.
In the town of Martin, Tennessee, Chip Hines, a precocious six year old, has only known life with his two dads, Cody and Joey. And a good life it is. When Cody dies suddenly in a car accident, Joey and Chip struggle to find their footing again. Just as they begin to, Cody’s will reveals that he named his sister as Chip’s guardian. The years of Joey’s acceptance into the family unravel as Chip is taken away from him. In his now solitary home life, Joey searches for a solution. The law is not on his side, but friends are. Armed with their comfort and inspired by memories of Cody, Joey finds a path to peace with the family and closer to his son.
In the early 1930s, painter Leonora Carrington, a rebel against social expectations, joins the surrealist movement and its iconic figures like André Breton and Salvador Dalí in Paris. A whirlwind love affair with artist Max Ernst confronts her with her inner demons. During the war, Leonora flees to Mexico and finally empowers herself. Today Leonora Carrington is one of the highest selling female painters worldwide, next to Frida Kahlo and Georgia O’Keeffe.
Six weeks after a drunk driving accident that left her jaw wired shut, Rayna tries to have a fun night out with her friends. Over the course of a wild night, she strains existing relationships and makes new enemies.
Since 2006, Rick Prelinger has made 37 participatory urban history events that have played to large and vocal audiences in New York, San Francisco, Los Angeles, Oakland, Detroit and at festivals throughout the world. As films play, viewers are invited to comment, to ask questions and to interact with one another. This autumn the revised LOST LANDSCAPES project returns to New York for the first time since its premiere in 2017. LOST LANDSCAPES OF NEW YORK (2017-26, 83 min., HD video transferred from 35mm, 16mm and 8mm film) mixes home movies shot by New Yorkers, tourists and semi-professional cinematographers with outtakes from feature films and background "process plates" picturing granular details of New York's cityscape. The combination of intimate moments, neighborhood memories from many New York City communities and expansive perspectives forms a 21st-century city symphony whose soundtrack will be made by the audience. Spanning much of the 20th century (1920-1980), LOST LANDSCAPES recalls buried memories of daily life, work and celebration while asking audiences to reflect on possible futures for New York City. This screening adds newly found material to the original 2017 film.
San Francisco shines throughout this wide-ranging, unbounded panorama made from 128 years of San Francisco moving images with a soundtrack made fresh by the audience as the film plays. Celebrating the city as a center of creativity, style, resistance and freedom, LOST LANDSCAPES is drawn from some 300 newly-unearthed (and a few familiar) archival films plus "guest appearances" from San Francisco filmmakers. This 37th in a series of "urban history events" recreates the textures and activities of everyday life, labor and play, replaying known and unknown historical moments, daylighting lost and found infrastructures, revealing the scars of settlement and pointing to more hopeful futures. Highlights include transportation in the air, water and on the land; images of the City's rich and resilient communities; unfamiliar footage of familiar places; countercultures and counterdemonstrators; and unpredictable moments on the streets. As always, the audience makes the soundtrack. Please come prepared to raise your voices; identify places, people and events; and ask questions of others in the audience.
TBC
MADDIE’S SECRET is comedian, writer, and actor John Early’s critically acclaimed directorial debut starring himself as Maddie, a plucky dishwasher who leaps to viral superstardom at a trendy food content creation company. While her life seems picturesque — complete with an adoring husband (Eric Rahill), ride-or-die best friend (Kate Berlant) and a cupboard full of woman-owned ethically-sourced chili crisp to boot — mounting professional pressures threaten to reawaken a hidden secret from her troubled past. A pitch-perfect blend of satire, melodrama, daring tonal shifts and intimate performances, the film marks a bold new voice in contemporary cinema.
A young girl whose father is an ex-convict and whose mother is a junkie finds it difficult to conform and tries to find comfort in a quirky combination of Elvis and the punk scene. New 4K restoration by Discovery Productions.
NC-17for nudity and erotic sexuality throughout, and for some graphic language and sexual violence
Nomi, a young drifter, arrives in Las Vegas to become a dancer and soon sets about clawing and pushing her way to become the top of the Vegas showgirls.
The basis of Still Film is a fictional audio deposition of a “non-party witness” who testifies to the past forty years of cinematic exposure (a period aligned with my lifetime), with promises made and broken. The multi-generational characters include the witness, the lawyers, and the recordist. While no character is specifically me, all are performed in voiceover by me, addressing memories, biographical details, conspiracy theories, and ideas I’ve wrestled with for years. The script has been written as if an actual legal deposition. The visuals are 35mm publicity stills from Hollywood movie press kits: a “carousel” of 140 slides chosen from the hundreds I’ve collected since 2019 that hold some associative meaning, however arbitrary, in my memory. Publicity stills are distributed by film studios to promote upcoming releases. 35mm film transparency slides were the standard until the early 2000s, when digital press kits took over (a turning point that happens to align with my legal coming-of-age). As objects, each are unique photographic prints subject to the ravages of time and handling, now preserved through scanning into 4K digital cinema.
Two cops in the 1940s Los Angeles investigate the murder of a Hollywood starlet (Mia Kirshner), and one (Aaron Eckhart) puts his marriage in jeopardy by obsessing over the crime, while the other (Josh Hartnett) becomes involved with a woman (Hilary Swank) from a prominent family, who happens to have an unsavory tie to the victim.
Rfor strong brutal violence, pervasive language, some strong sexual content and drug material
To take down South Boston's Irish Mafia, the police send in one of their own to infiltrate the underworld, not realizing the syndicate has done likewise. While an undercover cop curries favor with the mob kingpin, a career criminal rises through the police ranks. But both sides soon discover there's a mole among them.
Rfor sexual material, language throughout, and drug use.
A middle-aged couple who are feeling stagnant in their relationship invite the younger and livelier couple from the apartment upstairs for a get-together that takes an unexpected turn.
PGfor some language and a disturbing image
A lonely doctor, who once occupied an unusual lakeside house, begins exchanging love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it's too late.
A failed filmmaker turned carpenter is hired by his estranged college buddy, now a successful sculptor renovating the vacation home of his dreams.
G
A retired farmer and widower in his 70s, Alvin Straight learns one day that his distant brother Lyle has suffered a stroke and may not recover. Alvin is determined to make things right with Lyle while he still can, but his brother lives in Wisconsin, while Alvin is stuck in Iowa with no car and no driver's license. Then he hits on the idea of making the trip on his old lawnmower, thus beginning a picturesque and at times deeply spiritual journey.
TBC
Against the backdrop of the Irish War of Independence, two brothers fight a guerrilla war against British forces.
All musically gifted race-driver Lucky Jackson (Elvis Presley) wants in Las Vegas is to score enough money for a new car motor so he can win the Grand Prix. When he encounters sexy swimming instructor Rusty (Ann-Margret), he considers staying around longer. After Lucky loses his winnings in the hotel pool, he's forced to remain in Vegas long enough to win back his dough -- but now he also wants to win Rusty's heart. Unfortunately, so does his slick racing enemy, Elmo (Cesare Danova). Preceded by: Learning from Learning from Las Vegas (Sam Taffel & Gillian Waldo, 2025, 18 min.)
Flora leaves. Antonis gets left behind. Elit moves in. Benni and Caro can’t seem to move on. In the classrooms, cafes, bars and train stations of an unnamed German city, the lives of several young people intersect.
Caleb is a metal head loner who becomes obsessed with his new coworker, Krista. He begins invading every aspect of Krista's life. As his infatuation escalates from inappropriate to criminal, we're left asking who is really watching whom.
Rfor strong sexual content and language throughout, graphic nudity, and violence including a sexual assault.
Zola (Taylour Paige), a Detroit waitress, strikes up a new friendship with a customer, Stefani (Riley Keough), who seduces her to join a weekend of dancing and partying in Florida. What at first seems like a glamorous trip full of “hoeism” rapidly transforms into a 48-hour journey involving a nameless pimp, an idiot boyfriend, some Tampa gangsters and other unexpected adventures in this wild, see-it-to-believe-it tale.