Provides a personal and heartrending chronicle of the aftermath of the fires that devastated Los Angeles, including her own Altadena house. Yet, the wreckage of a neighborhood is fertile ground for new friendships and energies. Q&A with Ondi Timoner and Jehane Noujaim following screening.

Richard Linklater’s Blue Moon tells the story of legendary lyricist Lorenz Hart bravely facing the future as his professional and private life unravel at the opening night party for his former partner’s hit show Oklahoma! By the time this night is over, Hart will have confronted both a world that no longer values his talent and the seeming impossibility of love. “Oklahoma!”.

Based on a true story, the 1977 kidnapping of a prominent banker grips the nation and turns the abductor into an outlaw folk hero. As the media frenzy peaks, the standoff becomes a spectacle of desperation, defiance and blurred justice, which resonates even today. Q&A with Gus Van Sant following 1/13 screening.

Portland, Oregon, 1971. Bob Hughes is the charismatic leader of a peculiar quartet, formed by his wife, Dianne, and another couple, Rick and Nadine, who skillfully steal from drugstores and hospital medicine cabinets in order to appease their insatiable need for drugs. But neither fun nor luck last forever.

Several ordinary high school students go through their daily routine as two others prepare for something more malevolent.

In an afterlife where souls have one week to decide where to spend eternity, Joan (Elizabeth Olsen) is faced with the impossible choice between the man she spent her life with (Miles Teller) and her first love (Callum Turner), who died young and has waited decades for her to arrive.

A screening of 15 contemporary music videos by Southside, Destroy Lonely ft Ken Carson, Miss Madeline & Chase Icon, BbyAfricka, LUCY (Cooper B Handy), Porches, Cece Natalie, Ninajirachi, urika's bedroom, Geese, John Roseboro, Worldpeace DMT, 300SkullsAndCounting, Anastasia Coope, Izzy Camina, justbainz and Grumpy. Directors Q&A to follow screening. Presented by Hype Chateau.

Will Hunting, a janitor at M.I.T., has a gift for mathematics, nut needs help from a psychologist to find direction in his life.

We selected nine filmmakers to gather and draw at random, from a hat, one of the nine circles of hell from Dante's Inferno, the first part of The Divine Comedy. Everyone had seven weeks to make something based on their circle of Hell, and all movies had to be between 3-9 minutes. The list of filmmakers and their respective circle of hell is as follows: Fiona Kane…Limbo Clara Ribot…Lust Dante Capone…Gluttony Rich Smith…Greed Pilot Lee…Wrath Jonah Bergman…Heresy Noah Kentis…Violence Sarah Ritter…Fraud Morganne Boulden…Treachery

A Seattle musician's life and career are reminiscent of those of Kurt Cobain.

Marty Mauser, a young man with a dream no one respects, goes to hell and back in pursuit of greatness.

Gus Van Sant's dreamtime riff on Shakespeare's Henry IV, Parts I and II features River Phoenix as Mike Waters, a narcoleptic male hustler who is first seen drifting on a stretch of highway in Idaho. Mike shifts from Seattle to Portland, where he has taken up with Scott Favor (Keanu Reeves), who is also a hustler. The difference between them is Mike's sleepy state betrays an uncertain future, while Scott is ready to inherit a fortune from his father within a week. Mike feels a real affection for Scott, but Scott does not believe men can really love each other. Besides, Scott is mostly hustling as a means of slumming and killing time before he inherits his money. Mike, however, delusionally thinks Scott will continue with his life as a drifter after receiving his inheritance. Mike's belief is shared by the dregs of Portland, who live out of an abandoned hotel with their spiritual leader Bob (film director William Richert). They're convinced Scott's fortune will benefit them all, when in reality Scott has other plans.~ Paul Brenner, All Movie Guide

After writing for Cahiers du cinéma, young Godard decides making films is the best film criticism. He gets Beauregard to fund a low-budget feature, creating a treatment with Truffaut about a gangster couple.

When their evil enemy resurfaces after 16 years, a group of ex-revolutionaries reunites to rescue one of their own's daughter.

Set against the barren sprawl of the California desert, Room Temperature follows a family’s annual tradition of transforming their home into a DIY haunted house—an increasingly unhinged ritual now hijacked by the father’s obsessive vision. Rejecting the tropes of traditional horror while steeped in its atmosphere, Room Temperature builds its haunted house from plywood, grief, and quiet despair. The cast, comprised of artists, non-actors, and one possibly spectral French teen known only as “Extra,” wanders through the film like costumed ghosts in a stage set they didn’t design. Shot in muted tones and marked by deadpan performances and disorienting emotional shifts, the film lingers in the liminal space between artifice and collapse. Hilarious, uncomfortable, and deeply strange, this is haunted-house cinema as poetic autopsy, a slow, disquieting meditation on control, longing, and the fantasies we force onto others.

Directed by the esteemed Robert Altman and featuring a huge cast of recognizable stars , this innovative episodic drama is based on nine short stories and a poem by the late Raymond Carver, detailing the longings and thwarted lives of a disparate group of individuals in contemporary Southern California.

!0th Anniversary Screening and Q&A! During the 1990s, Stretch and Bobbito introduced the world to an unsigned Nas, Biggie, Wu-Tang, and Big Pun as well as an unknown Jay-Z, Eminem, and the Fugees. The total record sales for all the artists that premiered on their radio show exceed 300 million. The late night program had a cult following in the art/fashion world and prison population as well. All would loyally tune in for the humor just as much for the exclusive tunes. Stretch and Bobbito brought a unique audience together, and created a platform that changed music forever. Q&A with Stretch and Bobbito following screening.

The summer of 1984: 32 years after Duane Jackson captained the high school football team and Jacy Farrow was homecoming queen, the small town of Anarene, Texas prepares for its centennial celebration. Oil prices are down, banks are failing, and Duane's $12 million in debt.

A shy, middle-aged professor enters into a romantic but non-physical relationship with an unlucky-in-love colleague.

The Brooklyn mother of two boys and the wife of a harried theater director, Penelope barely has time to stay sane, much less create art. She finds comic relief from domestic drudgery by inhabiting the world in guises—drag king, pole dancer, Santa Claus—managing to find moments of grace even on thankless days. Accomplished video and performance artist Shannon Plumb makes a wincingly funny feature debut that strikes awfully close to home. The writer-director stars opposite her real-life husband (Derek Cianfrance, director of Blue Valentine, The Place Beyond the Pines) and her talented, towheaded sons (Cody and Walker Cianfrance). —MoMA Q&A with Shannon Plumb and Derek Cianfrance following screening.

Mhud Studios presents: A mysterious young woman seduces lonely men in the evening hours in Scotland. However, events lead her to begin a process of self-discovery. Merch available for purchase at screenings.

Rachel doesn't realize she has grown up in captivity working for an advertising agency where her job is to assess Mommy 6.0, her favorite pop star in the whole entire world. Q&A with Peter Vack 5/16. Moderated by William Banks.