After a Palestinian teen gets swept up into a West Bank protest, his mother recounts the family story of hope, courage and relentless struggle that led to this fateful moment.
Housewife Kyoko begins moonlighting at a mysterious sex club as a means of rebelling against her boring salaryman husband Akihito. The Bedroom isn’t like any normal club, though: the female hostesses all take the powerful sedative Halcion to sleep through their encounters with the male clientele.
Behind The Lens is a one-hour plus visual and musical feast of music photography and stories as told from one of the worlds iconic music photographers who documented those memorable times. Henry Diltz takes you on a visual and story-telling journey of some of the most famous album covers and musical artists ever documented. Featuring a rare look on film and in classic photographs, The Doors, Eagles, Crosby Stills & Nash, James Taylor, Linda Ronstadt, Jackson Browne, Woodstock and many more… and the stories! You will be taken far behind the scenes of what the Sixties and Seventies were really all about in this authentic, heart-warming and humorous ride that only Henry Diltz can provide. In the world of music photography, Henry Diltz occupied the upper strata of legendary photographers. His images of popular musicians of the Sixties and Seventies defined the musical landscape of that time, when you were part of the band and a photographer could create lasting friendships and document each artist’s beginning through their assent to greatness. After the show, Henry Diltz will be available to hand-sign and make available for purchase, his most famous photographic prints in a special after-show meet and greet.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
Chronicles the doomed affair between bar Titanik regular Karrer and the cruel cabaret singer he pines for while scheming to displace her brutish husband.
Das Erste Mal presents the very first video works by contemporary artists. With their experimental and at times eccentric character, these short films offer a glimpse into the creative beginnings that already hint at the artists’ later practices. What makes these early videos compelling is their directness and lack of pretense - a raw will to express, when intuition precedes style and curiosity overrides calculation. Each work carries a sense of urgency and discovery, revealing how the immediacy of the moving image allows for spontaneous experimentation, accidents, and unfiltered emotion - moments when the camera becomes a tool for thinking, trying, and failing in real time. The program was conceived and is curated by artist and curator Florian Meisenberg. Participating artists: Korakrit Arunanondchai, Joey Frank, Cayetano Ferrer, Henry Gunderson, John Henderson, Georg Herold, Riley Hooker, Gregory Kalliche, Anna K.E., Prem Krishnamurthy, Nathaniel de Large, Vijay Masharani, Florian Meisenberg, Monica Mirabile, Agnieszka Polska, Ben Rivers, Rachel Rossin, Jacolby Satterwhite, Jeremy Shaw, Marianna Simnett, John Smith, Viktor Timofeev and Lawrence Weiner. Das Erste Mal has been screened at the Shoreditch Arts Club in London, Kestner Gesellschaft, Hannover, Kunstmuseum Bonn and the Hotel Warszawa Art Fair.
Step into the glitz and glam of the most sensational Oscars viewing party in NYC! Mark your calendars for Sunday, March 15th at 6:30 p.m. The Roxy Cinema New York (https://www.roxycinemanewyork.com/)(located at 2 Avenue of the Americas) is once again rolling out the red carpet for DRAG the Oscars, hosted by Jamie CD & Essa Noche Martini's, Mayhem, and Movie magic make witnessing the 98th Academy Awards at Roxy Cinema extra special. Get ready for jaw-dropping looks, Oscar-themed games, and expertly shady commentary as we celebrate Hollywood's grandest affair! But wait, there's more! This year there will be an exclusive Martini bar inside the theater, so you don't need to miss any of the action. You can sip on something dirty, something with a twist, or something with a caffeinated kick. Tickets are available for $25 which includes a welcome glass of bubbly. Trust us, this is one Eleganza Extravaganza you simply don't want to miss!
Rfor bloody violence and grisly images.
A brilliant but egotistical scientist brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation
for thematic content, some strong sexuality, and partial nudity
From Academy Award® winning writer/director Chloé Zhao, HAMNET tells the powerful love story that inspired the creation of Shakespeare’s timeless masterpiece, Hamlet.
TBC
In the surreal landscape of I LIVE HERE NOW, struggling actress Rose (Lucy Fry) finds her life upended by unexpected news. She’s suddenly forced to confront a future she never thought possible, just as a major career opportunity with top agent Cindy Abrams (Cara Seymour) comes into view. Things spiral further when her casual boyfriend, Travis (Matt Rife) brings his overbearing mother (Sheryl Lee) into the fold, pushing Rose to the brink. She flees to The Crown Inn, a crumbling motel at the edge of nowhere, where time fractures and reality bends. Haunted by sleep paralysis, splintered memories, and eerie motel dwellers, especially the enigmatic Lillian (Madeline Brewer), Rose begins to unravel. To move forward, she must confront the buried truth of her past that her body has never forgotten. Shot on vibrant 35mm with striking 16mm sequences, and directed by Julie Pacino in her feature debut, I LIVE HERE NOW is a haunting, dreamlike psychodrama about identity, trauma, and the fragile line between memory and madness.
An aspiring fashion designer’s dreams are put to the test when she lands a spot on a new competition reality show in this irreverent, heartwarming indie comedy.
Rfor language throughout, sexual content, some violent content/bloody images and nudity.
Marty Mauser, a young man with a dream no one respects, goes to hell and back in pursuit of greatness.
In the near future, petty criminals are sentenced to act in art films in lieu of jail time. 10 years after that, groups of experimental theater students and clandestine filmmakers attempt to recreate an iconic “lost” film from this era, the mysterious, and possibly haunted, “Mid/Evil Times”… Shot with gear, locations and friends all borrowed and stolen, MID/EVIL TIMES is a broken kaleidoscope of SOV filmmaking, reflecting the horrors and joys of the creative act in a world overtly hostile towards free expression. Featuring a cast of familiar faces from the LA underground film scene, “Weener Kleener Soap”, and gratuitous Godard references, behold this evocation of the past and questionable conjuring of the future.
Amy Davis and James Duval play a pair of rival conceptual artists battling for fame and funding in the near-future dystopia of Shitville, Earth. As one ascends to the heights of neoliberal capitalist success, the other seeks inspiration and solace in the euphoric waves of a new cyber drug called Skullfuck. Ingenious production design and savvy location shooting evoke the urban sprawl and rural industrial collapse against which the filmmakers frame this scathing satire of art world pretension
A pregnant woman, left alone in the wilderness near the Dominican border, tries to escape the massacre of Haitians in 1937.
As filmmaking grew into a popular and profitable medium, the ancient art of puppetry enjoyed a brand new resurgence. Throughout the first half of the 20th century, some animators created stop-motion films in which puppets came to life and magically moved on their own. Filmmakers also made more straightforward films featuring live marionettes and hand puppet performances. A bit later, when early television producers needed quick and affordable entertainment for child-oriented programming, show runners looked towards hand puppets and marionettes for an easy solution. Roxy Cinema hereby presents our 11th 'Peculiar Puppets' retrospective of forgotten vintage short films featuring hand puppets, ventriloquist dolls, marionettes, and stop motion creatures—all filmed in the 1930s through the 1970s. This peculiar potpourri of unnamed surprises is programmed by early animation archivist and historian Tommy José Stathes, and prints are hand-selected from his personal 16mm film archive. Warning: You may find some of the offerings to be rather unsettling, and possibly even creepy! 90-minute film presentation includes an intermission and will be followed by a live Q&A session with Stathes.
Bergman's modernist masterpiece explores the volatile relationship between an actress who refuses to speak and the nurse overseeing her convalescence. After a mischievous montage 'explaining' the film's origins, the narrative proper gets underway, charting the increasingly tense battle of wits between the chatty Alma (Andersson) and the mute Elisabet (Ullmann), who are isolated together in a cottage on the island of Fårö. With a rich, resonant mix of related themes - the vampiric nature of art, the complex fragility of personality, the difficulty of communication - the film is arguably Bergman's most audacious and formally innovative work, multi-levelled yet utterly lucid. Sven Nykvist's lustrous camerawork, the subtle sound design and matchless lead performances combine to create a mesmerisingly beautiful work of unforgettable, haunting mystery.
Rfor some language including a sexual reference, and brief nudity.
Sisters Nora and Agnes reunite with their estranged father, the charismatic Gustav, a once-renowned director who offers stage actress Nora a role in what he hopes will be his comeback film. When Nora turns it down, she soon discovers he has given her part to an eager young Hollywood star. Suddenly, the two sisters must navigate their complicated relationship with their father — and deal with an American star dropped right in the middle of their complex family dynamics.
A rude, contemptuous talk show host becomes overwhelmed by the hatred that surrounds his program just before it goes national.
TBC
Brought up in an environment torn apart by violence and alcohol, Lidia Yuknavitch seemed destined for self-destruction and failure until words offered her unexpected freedom in the form of literature. The Chronology of Water, adapted from Yuknavitch’s autobiographical bestseller, follows Lidia’s journey to find her own voice in an exploration of how trauma can be transformed into art through re-possessing our own bloody histories, particularly those uniquely experienced by the bodies of women and girls.
R
New 4K restoration! Axel Freed is a literature professor. He has the gambling vice. When he has lost all of his money, he borrows from his girlfriend, then his mother, and finally some bad guys that chase him. Despite all of this, he cannot stop gambling.
Rfor language throughout and some drug material.
A rising pop sensation (Charli XCX) navigates fame and industry pressures while preparing for her arena tour debut, revealing the transformation of underground culture into mainstream success.
TBC
1977. In a Brazil tormented by the military dictatorship, Marcelo, a man in his forties fleeing a troubled past, arrives in the city of Recife where he hopes to build a new life and reconnect with his family. That's without taking into account the death threats that lurk and hover over his head.
Rfor sexual content, graphic nudity, violence and bloody images.
From award-winning writer-director Mona Fastvold (The World to Come, The Brutalist) comes the extraordinary true legend of Ann Lee, founder of the devotional sect known as the Shakers. Academy Award nominee Amanda Seyfried stars as the Shaker's irrepressible leader, who preached gender and social equality and was revered by her followers. The Testament of Ann Lee captures the ecstasy and agony of her quest to build a utopia, featuring more than a dozen traditional Shaker hymns reimagined as rapturous movements with choreography by Celia Rowlson-Hall (Vox Lux) and original songs & score by Academy Award winner Daniel Blumberg (The Brutalist).
A traumatized young woman (Kiyomi Itô) grows into a cynical and vengeful adult who unleashes her carnal—and often bloodthirsty—rage on the random men who court her. Meanwhile, a professional cameraman (Kôichi Imaizumi) working for an unknown shadowy outfit is tasked with shooting covert footage of sexual acts around the city. Introduced by Samm Deighan 2/26.
We Are Making A Film About Mark Fisher — a 65-minute cinematic experiment exploring the continuing relevance of the late theorist’s ideas on capitalism, culture, and the future. Blending documentary, performance, and hauntological fiction, the film follows Parkins — a time-slipped character — through ghostly landscapes and digital spaces, tracing Fisher’s thought from the 1990s to our algorithmic present. Created collaboratively by over 70 artists through Instagram (@markfisherfilm), the film embodies Fisher’s call for collective imagination beyond capitalist realism.