14Afor language throughout.
Every era has its visionaries, and ‘BlackBerry,’ co-written by Director Matt Johnson and Producer Matthew Miller, investigates the brilliance of the individuals that invented the world’s first smartphone. Recounting the Canadian company’s humble yet chaotic rise to market dominance, ‘BlackBerry’ is a darkly comedic telling of the tragic tale of a Canadian company that revolutionized the way we communicate, before swiftly plummeting into obsolescence. It’s 1996, and Mike Lazaridis (Jay Baruchel) and his business partner and best friend Douglas Fregin (Matt Johnson) are on the edge of creating the world’s first smartphone. Unfortunately for them, they are less business savvy than they are tech, and struggle to keep their company, Research in Motion, afloat. Everything changes when cunning business man Jim Balsillie (Glenn Howerton) agrees to join the company, bringing with him the money and experience needed to create and sell a prototype of their invention. Seemingly overnight the three men revolutionize the way people work, communicate and connect. Celebrities, politicians and businessmen are now addicted to their Blackberrys. The company's value skyrockets, yet within a few short years shady business dealings, personal grievances, and, perhaps most dangerously, the iPhone, threaten the company’s incredible success.
14Afor language throughout.
Every era has its visionaries, and ‘BlackBerry,’ co-written by Director Matt Johnson and Producer Matthew Miller, investigates the brilliance of the individuals that invented the world’s first smartphone. Recounting the Canadian company’s humble yet chaotic rise to market dominance, ‘BlackBerry’ is a darkly comedic telling of the tragic tale of a Canadian company that revolutionized the way we communicate, before swiftly plummeting into obsolescence. It’s 1996, and Mike Lazaridis (Jay Baruchel) and his business partner and best friend Douglas Fregin (Matt Johnson) are on the edge of creating the world’s first smartphone. Unfortunately for them, they are less business savvy than they are tech, and struggle to keep their company, Research in Motion, afloat. Everything changes when cunning business man Jim Balsillie (Glenn Howerton) agrees to join the company, bringing with him the money and experience needed to create and sell a prototype of their invention. Seemingly overnight the three men revolutionize the way people work, communicate and connect. Celebrities, politicians and businessmen are now addicted to their Blackberrys. The company's value skyrockets, yet within a few short years shady business dealings, personal grievances, and, perhaps most dangerously, the iPhone, threaten the company’s incredible success.
PGfor intense sequences of violence and action, language and some suggestive material.
Fast X, the tenth film in the Fast & Furious Saga, launches the final chapters of one of cinema’s most storied and popular global franchises, now in its third decade and still going strong with the same core cast and characters as when it began. Over many missions and against impossible odds, Dom Toretto (Vin Diesel) and his family have outsmarted, out-nerved and outdriven every foe in their path. Now, they confront the most lethal opponent they’ve ever faced: A terrifying threat emerging from the shadows of the past who’s fueled by blood revenge, and who is determined to shatter this family and destroy everything—and everyone—that Dom loves, forever. In 2011’s Fast Five, Dom and his crew took out nefarious Brazilian drug kingpin Hernan Reyes and decapitated his empire on a bridge in Rio De Janeiro. What they didn’t know was that Reyes’ son, Dante (Aquaman’s Jason Momoa), witnessed it all and has spent the last 12 years masterminding a plan to make Dom pay the ultimate price. Dante’s plot will scatter Dom’s family from Los Angeles to the catacombs of Rome, from Brazil to London and from Portugal to Antarctica. New allies will be forged and old enemies will resurface. But everything changes when Dom discovers that his own 8-year-old son (Leo Abelo Perry, Black-ish) is the ultimate target of Dante’s vengeance.
PG
Produced by Bungalow Media + Entertainment for CNN Films and HBO Max, in association with Rolling Stone Films, director Lisa Cortés’ Sundance opening night documentary LITTLE RICHARD: I AM EVERYTHING tells the story of the Black queer origins of rock n’ roll, exploding the whitewashed canon of American pop music to reveal the innovator – the originator – Richard Penniman. Through a wealth of archive and performance that brings us into Richard’s complicated inner world, the film unspools the icon’s life story with all its switchbacks and contradictions. In interviews with family, musicians, and cutting-edge Black and queer scholars, the film reveals how Richard created an art form for ultimate self-expression, yet what he gave to the world he was never able to give to himself. Throughout his life, Richard careened like a shiny cracked pinball between God, sex and rock n’ roll. The world tried to put him in a box, but Richard was an omni being who contained multitudes – he was unabashedly everything.
PGfor strong language, violence, sexual material, and some partial nudity.
A merry mash up of sisterly affection, parental disappointment and bold action, POLITE SOCIETY follows martial artist-in-training Ria Khan who believes she must save her older sister Lena from her impending marriage. After enlisting the help of her friends, Ria attempts to pull off the most ambitious of all wedding heists in the name of independence and sisterhood.
TBC
Miles Morales returns for the next chapter of the Oscar®-winning Spider-Verse saga, an epic adventure that will transport Brooklyn’s full-time, friendly neighbourhood Spider-Man across the Multiverse to join forces with Gwen Stacy and a new team of Spider-People to face off with a villain more powerful than anything they have ever encountered.
The Engine Inside: New Documentary Sheds Light on the Overlooked Potential of the Bicycle. Written by our own Nelsonite, Mitchell Scott! Coming Summer 2023, the new documentary feature film The Engine Inside tells the stories of six everyday people from all over the globe, who reveal the unique power of the bicycle to change lives and build a better world. Through each character’s story, the film uncovers the often-overlooked potential of this 200-year-old machine, exploring its impact on a wide-range of global issues such as physical and mental health, socio-economic inequality and climate change. By shining a light on people who have embraced cycling as a way to overcome daunting personal and systemic challenges, The Engine Inside ultimately asks viewers to reconsider their own perspective. Is there a transformative power within us all that can be unlocked through the simple act of riding a bike? Narrated by the “voice of cycling” Phil Liggett, the film weaves together an emotional and informative celebration of the bicycle’s world-changing potential.