On October 20, 1967, Roger Patterson captured 59 seconds of film showing a creature walking through the Northern California woods—footage that became the most analyzed and debated in history. Fifty-nine years later, a reel of 16mm film discovered in a safe changes everything. "Capturing Bigfoot" reveals the untold story behind the world's greatest mystery, told for the first time by Patterson's own son and the people who were there. This is a story about family legacy, broken friendships, and belief itself. Following the film will be a Q&A with filmmakers Marq Evans and Tamir Ardon, and subject Clint Patterson. This is a special event screening pre-film general release, which is scheduled for October 20th. Due to the sensitive nature of the never-before-seen footage in the film, all recording devices such as phones, meta glasses, etc. will be prohibited in the theater during the film’s showing. We appreciate your cooperation.
Rfor graphic violence and some language
In post–civil war Spain, 10-year-old Ofelia moves with her pregnant mother to live under the control of her cruel stepfather. Drawn into a mysterious labyrinth, she meets a faun who reveals that she may be a lost princess from an underground kingdom. To return to her true father, she must complete a series of surreal and perilous tasks that blur the line between reality and fantasy.
Rfor strong bloody violent content and language throughout.
In the remote South Korea village of Hope Harbor, police chief Bum-seok (Hwang Jung- min) and officer Sung-ae (Hoyeon) are called to find a mysterious creature that has wreaked havoc on the village. In the nearby forest, a coterie of hunters, including Sung- ki (Zo In-Sung) set out to track the beast and find themselves hunted instead. But all is not as it seems, and perceptions can be misleading. What begins as ignorance plants the seed of disaster, escalating through human conflict into a tragedy of cosmic proportions.
NR
After more than a decade of sober political dramas and socially minded period pieces, the great Japanese director Masaki Kobayashi shifted gears dramatically for this rapturously stylized quartet of ghost stories. Featuring colorfully surreal sets and luminous cinematography, these haunting tales of demonic comeuppance and spiritual trials, adapted from writer Lafcadio Hearn’s collections of Japanese folklore, are existentially frightening and meticulously crafted. Please note: the DCP version of Kwaidan is a 4K restoration of the original three-hour cut. The 35mm of Kwaidan is the 161-minute Cannes print.
Rfor disturbing sexual material, graphic nudity, some violent content, and language.
In 2006, To Catch a Predator host Chris Hansen sets out to make television history.