Semi-fictionalized documentary biopic of British artist David Hockney. After a difficult break-up, Hockney is left unable to paint, much to the concern of his friends. The title was named after Hockney's pop-art painting 'A Bigger Splash'.
RRated R for language
A Chechen Muslim illegally immigrates to Hamburg, where he gets caught in the international war on terror.
For kids around the world, music is often the only salvation when the pain and anxiety of teenage life becomes too much to bear. Yuichi (Hayato Ichihara) is in the 8th grade and he worships Lily Chou-Chou, a Bjork-like chanteuse whose epic music is lush and transcendent. Yuichi only lives for Lily Chou-Chou's big Tokyo concert, where the lies and violence can be washed away by the presence of his goddess and her powerful music. But fate has yet another obstacle in store for Lily's devoted fan.
In an impoverished neighborhood of 1980s Medellín, a group of disaffected teens steals a TV reporter’s camera to document their lives. Piercing the derelict landscape’s oppressive atmosphere with disarming reflections on dreams and death, their understanding of reality and hope begins to erode as reports of mysterious lights falling from the sky coincide with temporal and spatial distortions. The feature debut from Bad Bunny collaborator STILLZ and featuring the first original score by Arca, BARRIO TRISTE is a generational portrait of Colombia’s forgotten youth, both personal and specific in its perspective, yet unclassifiable in its formal audacity. Accentuated by Arca’s intense, shape-shifting sonic palette, STILLZ boldly navigates the liminal spaces between despair and transcendence in “one of the year’s great debuts” (The Film Stage).
Brian, a struggling filmmaker and alcoholic, is determined to bring his dream slasher film to life. But as his substance abuse disorder takes over, his relationships crumble and his grip on reality deteriorates. Mentally breaking down during a film shoot, Brian descends into a hellish psychological nightmare war zone. To survive, he must confront his inner demon zombies—or be consumed by them. Most importantly, he must not allow the killer from his movie to stab his brain. Premiere of the Debut Feature Film from Michael Cruz with live music from The Clog & Slosh DOORS at 7:00 PM MUSIC at 8:00 PM FILM at 9:30 PM $15 ADV | $18 DOOR
Detroit is a city of struggle. Historically, economically, and artistically, Detroit has had to fight for survival. And it’s had to fight even harder for recognition. The spirit of that fight is epitomized by GOD SAID GIVE ‘EM DRUM MACHINES, a documentary which traces the birth of techno music to its unlikely origins in the D. Detroit’s African-American cultural roots cultivated musical movements like jazz, Motown, and disco. By the late ‘70s, DJs like Ken Collier were infusing underground clubs and public airwaves with radically danceable sounds, and in the early ‘80s groundbreaking technology like the infamous Roland TR-808 was falling into the hands of a new generation. The merging of these artistic and technological forces would bring about one of the most significant musical breakthroughs of the modern era. GOD SAID GIVE ‘EM DRUM MACHINES tells the tale of the young visionaries who made that breakthrough happen. Juan Atkins, Derrick May, Kevin Saunderson, Blake Baxter, Eddie Fowlkes, and Santonio Echols were the vanguard of a new musical style they dubbed “techno,” which would soon become the most celebrated and profitable genre in the world. And yet their names are largely unknown to most fans of that very genre. Despite the best efforts of musical historians and journalists, the story of how a handful of black kids from Detroit invented techno has never been told. It’s a story of damaged friendships, mismanaged success, and broken dreams. But it’s also a story of inspiration. While the originators of techno may not enjoy the fame and fortune of those who cruised to success in their wake, they have seen their music touch lives around the globe. And they find comfort in knowing their creation will live on for generations to come. Like Detroit itself, the artists who created techno struggle for survival and recognition. GOD SAID GIVE ‘EM DRUM MACHINES documents their fight and hopes to help them achieve both. DOORS & DJs at 3:00 PM FILM at 5:00 PM
R
A blue collar worker tries to cover things up when his stepson is killed in a suspicious accident, but a local reporter senses that something's amiss.
A Hong Kong actress, Maggie Cheung playing a fictional version of herself, is cast in France to star in a remake of Les vampires (1915), but petty intrigues and clashing egos plague the production.
G
A beloved coming-of-age story from the legendary Studio Ghibli, creators of Spirited Away, and Academy Award®-winning director Hayao Miyazaki, about a resourceful young witch who uses her broom to create a delivery service, only to lose her gift of flight in a moment of self-doubt. It is a tradition for all young witches to leave their families on the night of a full moon and fly off into the wide world to learn their craft. When that night comes for Kiki, she embarks on her new journey with her sarcastic black cat, Jiji, landing the next morning in a seaside village, where her unique skills make her an instant sensation. Don't miss this delightfully imaginative and timeless story of a young girl finding her way in the world, featuring the voices of Kirsten Dunst, Janeane Garofalo, Phil Hartman, and Debbie Reynolds.
LIVE MUSIC: Inner Magic (with Adam Miller & Jeff Schroeder) Winston Tong & LX Rudis Zachary James Watkins with DJ Mashi Mashi Visuals by Camera Oscura CINEMATIC SYNCHRONISMS: PART I - DREAM THEMES Presented by Synth News & Nada Sound 7:00 PM Doors 8:00 PM Music $18 ADV | $22 DOOR
If poetry had a pop icon, Mary Oliver would be it. Celebrated best-selling poet, Pulitzer Prize-winner, lover of dogs and long walks in the woods, openly queer but intensely private, Oliver was America’s unlikely contemporary mystic, stalking the ponds and forests of Cape Cod for nearly fifty years in order to open herself – and her readers – to the known and unknowable world. From a lonely childhood to literary fame, Oliver’s life was shaped by devotion to nature, paying attention, and the long journey toward learning to love and to be loved. Her poems inspire liberals and conservatives, atheists and believers, naturalists and urbanites, speaking directly to contemporary anxieties about attention, presence, and the human relationship with the natural world – issues that feel especially pressing in an era of climate crisis, digital distraction, and social fragmentation. Featuring interviews with her close friends, including John Waters, never-before-seen personal photos, notebooks, and correspondence from her archive, and recitations of her work by Stephen Colbert, Lucy Dacus, Steve Buscemi, and Oprah Winfrey, Mary Oliver: Saved by the Beauty of the World considers the poet’s long lifetime of work in context, capturing the uniqueness of her world and the natural beauty that inspired her.
POPPERS (1984) A guy named Santos is released from prison after having killed his best friend. The dead friends father then organizes a manhunt to kill Santos. Santos escapes and then turns things around as he starts hunting the hunters. MEDIA MELTDOWN MOVIE MADHOUSE Gender jesters Piranha Psychotronica and Kafka X bring you a new experience in cinematic depravity… Media Meltdown Movie Madhouse! Prepare yourself to enter into a world of face-flaying forgotten and forsaken films… Made-for-TV, Direct-to-Video, VCR games, underground cinema, and more wiley weirdness than your minds can handle! In a world dominated by AI, CGI, mega streaming platforms, and cinematic universes, Media Meltdown celebrates the amateur, the low-budget, the handmade, the experimental, and the weird! Commit yourself every 3rd Sunday to … MEDIA MELTDOWN MOVIE MADHOUSE!
In the 1960s, the American folk singer Pete Seeger devised an extraordinary plan: he built a 106-foot sailboat to save the polluted Hudson River. Down by the Riverside follows the unlikely story of the Clearwater, a boat that launched a movement. An intimate portrait of Pete, his wife Toshi, and the grassroots community they anchored for over 40 years, the film takes the audience on a musical and nautical odyssey, showing how an unconventional campaign to save a beloved American waterway prompted a green revolution. The tale of the Clearwater is a parable for our time, offering hope for a fractured nation and revealing how participatory imagination can solve environmental problems and transform how we relate not only to the earth but also to one another.
A young couple, Jerry and Annie, set out on the road to follow Dead & Company on their final tour, immersing themselves in the vibrant, nomadic community that has long surrounded the music of the Grateful Dead. From dusty parking lots to packed stadiums, they make their way busking and selling handmade clothes on “the lot”. The film is a portrait of the band through the fans, capturing a unique perspective of the scene and community. Jerry and Annie move from city to city, carried by the rhythms of the road and the spirit of the crowd, rediscovering American and all the beauty it holds. As they journey across the country, a tapestry of fan call-ins—stories, memories, and reflections — builds a collective portrait of the Grateful Dead experience. Blending past and present, the film captures the enduring spirit of a community defined by freedom, resilience, and the open road DOORS at 7:00 PM LIVE MUSIC at 7:30 PM FILM at 8:30 PM
G
The Princess Diaries, 2001 Directed by Garry Marshall SHE ROCKS. SHE RULES. SHE REIGNS. A socially awkward but very bright 15-year-old girl being raised by a single mom discovers that she is the princess of a small European country because of the recent death of her long-absent father, who, unknown to her, was the crown prince of Genovia. She must make a choice between continuing the life of a San Francisco teen or stepping up to the throne.