Join CCA August 2nd at 11am and 3pm for the world’s #1 cat video festival PLUS a special adoption event with Felines & Friends NM. Oscilloscope Laboratories presents CatVideoFest 2025, a compilation of the latest and best cat videos culled from countless hours of unique submissions and sourced animations, music videos, and classic internet powerhouses. A portion of ticket proceeds from every show will go directly to local cats in need, plus Felines & Friends will be onsite from 12-3pm with adoptable kittens and cats! We are committed to raising awareness and money for cats in need around the world. A percentage of the proceeds from each event go to local animal shelters and/or animal welfare organizations. Since 2019, over $150,000 has been raised for local shelters in addition to adoptions, fostering, volunteer sign-ups and much more at shows. By focusing our fundraising efforts on behalf of local shelters and organizations, we’re able to divert money and attention directly to the places and causes that need it most. We trust local people working on behalf of cats to know and understand the problems that need to be solved. The 75-minute-reel of cat videos is family-friendly and can be enjoyed by anyone. The wide demographic appeal allows for it to be shown in virtually any type of setting - from museums to theaters to outdoor festivals and beyond. This flexibility means there are almost no limits to where CatVideoFest can go!

Please join CCA for our ongoing Community Reading Series in the Munoz Waxman Gallery. This event features Tony Barnstone, Miriam Sagan, Yuyutsu Sharma, Alexandra Eldridge and youth poets laureate Maiya Brock and Sofia Salazar. Free one-card tarot readings. Readings are curated by former Santa Fe poet laureate Elizabeth Jacobson with support from the Witter Bynner Foundation for Poetry.

Two musical legends gather at a Scottish Cottage on The Mull Of Kintyre for a tense summit to discuss a potential collaboration that will ultimately result in a Global Number One smash hit single.

Join us for the CCA’s year-long Frederick Wiseman Retrospective, where we will showcase twelve of Wiseman’s rarely seen masterworks. Enjoy a Sunday matinee each month from October 2024 through September 2025. Each unique film will be screened just once on our massive Cinema Theater screen. Each film in CCA’s Frederick Wiseman Retrospective has recently been meticulously restored using original 16mm film negatives and sound elements, and has previously never been available in digital format. This monumental five-year long restoration project, overseen and approved by Wiseman himself, is a collaboration between Zipporah Films, the Library of Congress, DuArt Labs and Goldcrest Post Production. Merchandise Alert: Grab your Limited Edition Wiseman Retrospective t-shirts in the cinema lobby, available while supplies last! Essene (1972) is about daily life in a Benedictine monastery and the resolution of conflict between personal needs and the institutional and organizational priorities of the community. In the Order, where the focus of life is the relationship of individual work and worship to the community as a whole, the brethren must cope with the same issues that arise in any community: rules, work, worship, values, love, and play. Total runtime: 86 mins "ESSENE is one of the best religious films ever made… Fred Wiseman’s cinema verite look at life inside a monastery also studies the essential meanings inherent in any institutional framework… It is fluid, extraordinarily honest and non theatrical experience… Wiseman conveys humility without resorting to humble expressions, an awareness of profound piety without mock spirituality… ESSENE raises the question of God urgently and eloquently." –Malcolm Boyd, The New York Times "Mr. Wiseman has given the viewer a superb human comedy — funny, pathetic, touching, absurd, moving." –John J. O'Connor, The New York Times

Going Santa Fe is a work-in-progress personal documentary that reveals the hidden queer history of Santa Fe in the 1960s and earlier. Through the lens of family, memory, and resistance, the story begins with the director’s mother leaving her cultured East Coast life to be with Claude James, owner of the legendary Canyon Road bar Claude’s of Santa Fe. Told through personal histories, archival footage, and firsthand accounts from local community members, the film illuminates the cultural and political landscape of the time, and Santa Fe’s role as a haven for artists, lesbians and gay men, and anyone who challenged societal norms. As history continues to repeat itself—with renewed political repression and efforts to erase LGBTQ+ lives—the film revisits the Lavender Scare and other silenced chapters that echo urgently today. Reception 5:30pm-6:30pm, film followed by Q&A/discussion 6:30-8pm

A group of professional bank robbers start to feel the heat from police when they unknowingly leave a clue at their latest heist, while both sides attempt to find balance between their personal and professional lives.

Join us for the CCA’s year-long Frederick Wiseman Retrospective, where we will showcase twelve of Wiseman’s rarely seen masterworks. Enjoy a Sunday matinee each month from October 2024 through September 2025. Each unique film will be screened just once on our massive Cinema Theater screen. Each film in CCA’s Frederick Wiseman Retrospective has recently been meticulously restored using original 16mm film negatives and sound elements, and has previously never been available in digital format. This monumental five-year long restoration project, overseen and approved by Wiseman himself, is a collaboration between Zipporah Films, the Library of Congress, DuArt Labs and Goldcrest Post Production. Merchandise Alert: Grab your Limited Edition Wiseman Retrospective t-shirts in the cinema lobby, available while supplies last! HIGH SCHOOL (1968) was filmed at a large urban high school in Philadelphia. The film documents how the school system exists not only to pass on "facts" but also transmits social values from one generation to another. HIGH SCHOOL presents a series of formal and informal encounters between teachers, students, parents, and administrators through which the ideology and values of the school emerge. Total runtime: 75 mins "HIGH SCHOOL, a wicked, brilliant documentary about life in a lower-middle-class secondary school." –Richard Schickel, Life "HIGH SCHOOL shows no stretching of minds. It does show the overwhelming dreariness of administrators and teachers who confuse teaching with discipline. The school somehow takes warm, breathing teen-agers and tries to turn them into 40-year old mental eunuchs… No wonder the kids turn off, stare out windows, become surly, try to escape… The most frightening thing about ‘HIGH SCHOOL’ is that it captures the battlefield so clearly; the film is too true." –Peter Janssen, Newsweek "The high school is the very heart of America, and Wiseman has captured its strength and rhythm perfectly." –Edgar Z. Friedenberg, The New York Review of Books

In The Mood for Love with In The Mood For Love 2001 Hong Kong, 1962: Chow Mo-wan (Tony Leung Chiu-wai) and Su Li-zhen (Maggie Cheung Man-yuk) move into neighboring apartments on the same day. Their encounters are formal and polite—until a discovery about their spouses creates an intimate bond between them. At once delicately mannered and visually extravagant, Wong Kar Wai’s In the Mood for Love is a masterful evocation of romantic longing and fleeting moments. With its aching musical soundtrack and exquisitely abstract cinematography by Christopher Doyle and Mark Lee Ping-bin, this film has been a major stylistic influence on the past 25 years of cinema. In The Mood for Love 2001 – An in theaters only Short Film Initially conceived as one third of a triptych about food, In the Mood for Love was expanded into a stand-alone feature that won immediate recognition as a modern-day classic. Another third—intended as the “dessert,” as Wong Kar Wai has put it—was, until now, only screened during his masterclass at the 2001 Cannes Film Festival. Now available in wide release for the first time, In the Mood for Love 2001 demonstrates the director’s masterful ability to generate palpable atmosphere and striking characterizations on a miniature canvas—with In the Mood for Love stars Tony Leung Chiu Wai and Maggie Cheung Man Yuk once again providing the sizzling chemistry— evoking the mystery of transient, unexpected connections in the modern city through his inimitable romantic touch. Plays as part of IN THE MOOD FOR LOVE 25th Anniversary Edition. In theaters only!

Thursdays, 4:30-6:30p October 2, 9, 16, 23 Cost: $250 (For all four classes) Location: CCA Conference Room This fall, poet Elizabeth Jacobson is offering a new session of her popular workshop series Intimate Immersion. During this four-week in-person intensive, the focus is on generating new poems, critiquing each participant’s work, revising poems, and looking at elements of craft. Each meeting, participants are invited to bring a new poem (with copies for everyone) for workshop discussion. Since this is the first look, the process creates a deep. concentrated attention different from preparing critique notes ahead of time. Additionally, contemporary poems are provided as a catalyst for the following week’s writing prompt. This is an intimate, focused immersion to reinforce the writing practice and foster the evolution of new poems. To apply for a scholarship, contact [email protected] About Elizabeth Jacobson: Elizabeth Jacobson was the fifth Poet Laureate of Santa Fe, New Mexico and an Academy of American Poets Laureate Fellow. Her third collection of poems, "There Are as Many Songs in the World as Branches of Coral" is just out from Free Verse Editions/Parlor Press. Her previous book, "Not into the Blossoms and Not into the Air," won the New Measure Poetry Prize (FVE/Parlor Press, 2019) and the 2019 New Mexico-Arizona Book Award for both New Mexico Poetry and Best New Mexico Book. She is the reviews editor for the online literary journal Terrain.org. This program is supported by the Witter Bynner Foundation for Poetry

Visionary composer and performer Meredith Monk overcame hostile critics to become one of the great artists of her time. In her seventh decade of creativity, she ponders how her unique work can continue without her.

What if the devil was a VJ? What if MTV broadcasted from hell? Ghost Almanac features the best scenes from classic horror films soundtracked live by the vintage synthesizer enthusiasts of Montopolis. Tales from the Crypt meets VH1 in this 80 minute roller coaster ride of terror and old school beats. Film excerpts included in 2025 Ghost Almanac: The Skeleton Dance (1929) Haxan (1922) The Cabinet of Dr. Caligari (1920) The Haunted House, Buster Keaton (1921) (the complete short film) L'Inferno (1911) Betty Boop's Halloween Party (1933) The Vanishing Lady (1896) Nosferatu (1922)

A listless and alienated teenager decides to help his new friend win the class presidency in their small western high school, while he must deal with his bizarre family life back home.

CCA's Indigenous Cinema Series presents a special evening featuring Powwow Highway and short film An Ode for Leviticus! Both feature powerful performances by legendary actor Gary Farmer. July's Indigenous Cinema Series is co-presented by Pathways Film Festival! "Powwow Highway" Two Northern Cheyenne men take a road trip from Montana to New Mexico to bail out the sister of one of them who has been framed and arrested in Santa Fe. On the way, they begin to reconnect to their spiritual heritage. "An Ode For Leviticus" Leviticus sits in a darkened doctors room waiting while his best friend Toby discuses Leviticus' health with the Doctor.

This three-hour ride from Akira Kurosawa seamlessly weaves philosophy and entertainment, delicate human emotions, and relentless action, into a rich, evocative, and unforgettable tale of courage and hope.

In the gritty, explosive action-thriller She Rides Shotgun, Taron Egerton stars as newly released ex-con Nate. Marked for death by unrelenting enemies, Nate must now protect his estranged 11-year-old daughter, Polly (Ana Sophia Heger) at all costs. Shy, precocious, and wary of her father, Polly is swept up in Nate’s dangerous plight as they flee to evade the corrupt sheriff and brutal leader of a gang who will stop at nothing to protect his criminal interests. With scant resources and no one to trust, Nate and Polly form a bond forged under fire as he shows her how to fight and survive — and she teaches him what unconditional love truly means in this intense, moving story about loyalty, strength, and redemption.

Something bad happened to Agnes. But life goes on… for everyone around her, at least. When a beloved friend visits on the brink of a major milestone, Agnes starts to realize just how stuck she’s been, and begins to work through how to move forward.

Follows the titular superhero as he reconciles his heritage with his human upbringing. He is the embodiment of truth, justice and the American way in a world that views this as old-fashioned.

The Last Class is a nuanced and deeply personal portrait of master educator Robert Reich teaching his final course and reflecting on a period of immense transformation, personally and globally. It is a love letter to education. The former Secretary of Labor might be famous for his public service, best-selling books, and viral social media posts, but he always considered teaching his true calling. Now, after over 40 years and an extraordinary 40,000 students, Reich is preparing for his last class. Over the course of the film, Reich confronts the impending finality, and his own aging, with increasing candor, introspection, and, ultimately, emotion. He displays a rawness of feeling he has never shared publicly before. Drawing on his lifetime in politics, he uses his class, “Wealth and Poverty,” to offer us all a deeper look at why inequalities of income and wealth have widened significantly since the late 1970s, and why this poses dangerous risks to our society. One thousand students fill the biggest lecture hall on the UC Berkeley campus, the last class to receive Reich’s wisdom and exhortations not to accept that the world has to stay the way it is. His belief in the next generation’s ability to take on the fight is inspiring.