NR
Returning home from a shopping trip to a nearby town, bored suburban housewife Laura Jesson is thrown by happenstance into an acquaintance with virtuous doctor Alec Harvey. Their casual friendship soon develops during their weekly visits into something more emotionally fulfilling than either expected, and they must wrestle with the potential havoc their deepening relationship would have on their lives and the lives of those they love.
NR
With any and all things crypto being pushed by celebrities, influencers, and politicians alike, actor-turned-author and director Ben McKenzie decides to investigate. Leveraging his celebrity status to gain access to eager prospectors, McKenzie finds himself unraveling the loosely regulated world of cryptocurrency. This skeptical but evenhanded take on the present and future of what we consider money gives a firsthand account of the chaotic financial frontier of our time.
A long table, a single microphone, and a community excited to listen – this is La Mesa, a new type of storytelling event! Six voices share true, 5–7 minute lived-experience stories, followed by short responses from table-mates, concluding in a conversation with the audience. La Mesa emphasizes listening, reflection, and connection across cultures, ages, and experiences. La Mesa is produced by Joe Lambert, storyteller, community artist, educator, and founder of the internationally renowned Storycenter. Partners for this event include the Center for Contemporary Arts Poetry Program and the Santa Fe Public Library, with support from the Witter Bynner Foundation for Poetry.
Rfor strong sexuality, language and some drug content
After leaving jail, Víctor is still in love with Elena, but she's married to the former cop -now basketball player- who became paralysed by a shot from Víctor's gun...
Redemption Time is a 70-minute performance film featuring poet Jimmy Santiago Baca and jazz violinist Christian Howes––two formerly incarcerated artists who reclaimed their lives through art. While imprisoned, Howes discovered Baca's poetry, igniting a creative lifeline that would sustain them both. Through spoken word, jazz, and intimate testimony, the film reveals the trauma of incarceration and art's redemptive power. Directed by David Gonzalez, Redemption Time is an emotional journey and a call to reimagine justice, identity, and human potential.
This Renesan Presentation is 1 Session and takes place at the Santa Fe Botanical Garden. Cultivated Connections: A Guided Garden Experience Renesan Presentation Information: "Join Christie Collins, Director of Education and Interpretation at the Santa Fe Botanical Garden, for a leisurely walk through the Garden that weaves together history, plant stories, and behind-the-scenes projects. Along the way, you’ll discover how the Garden has grown and changed, learn about plants that thrive in our landscape, and uncover fascinating environmental connections. This relaxed, visual, and story-rich tour is designed for curiosity, conversation, and enjoying the Garden at an easy pace." About The Presenter: Christie Collins is the Director of Education and Interpretation at the Santa Fe Botanical Garden with a background in biology and marketing. She develops interpretive exhibits and public programs focused on pollinators, native plants, and invertebrates, emphasizing science-based, place-based environmental education.
TBC
It is set in the botanical garden of Marburg, a medieval university town in Germany, and tells three stories connected to a tree over a period of more than 100 years.
NR
Undeterred by armed soldiers, smooth-talking politicians, and riot police, journalist Amy Goodman has reported some of the most consequential stories of our time. Steal This Story, Please. is a gripping portrait of the trailblazer whose unwavering commitment to truth-telling spans three decades of turbulent history. From the front lines of global conflicts to the organized chaos of her daily news show Democracy Now!, Goodman broadcasts stories and voices routinely silenced by commercial media. Oscar-nominated filmmakers Carl Deal and Tia Lessin (Trouble the Water, The Janes) take us behind the scenes with the warm, wisecracking granddaughter of an Orthodox rabbi - raised in a tradition of asking hard questions - as she navigates a news landscape reshaped by technology, corporate consolidation, and political assaults on truth itself. Urgent, provocative and unexpectedly funny, Steal This Story, Please. is both a call to action and a celebration of resistance, posing the question: what happens to democracy when the press surrenders to power?
G
Shooting in Swedish on a set replicating a lovely 18th-century theatre, Bergman begins his wonderfully warm, witty and sensuous movie by focusing on the faces of a rapt audience (momentarily including his own) enjoying the overture. Thereafter, as the (abridged and intriguingly amended) tale of Tamino, Pamina et al proceeds, he highlights the piece’s exuberant theatrical illusionism, at the same time deploying close-ups to enhance the emotions conveyed by an excellent young cast. An admirably light touch is applied throughout, making for a performance of musical excellence, dramatic vitality and enormous, effortless charm.
NR
Meursault (Benjamin Voisin) works as a clerk at an office in Algiers during the French colonial occupation. A modest man who keeps to himself, Meursault finds his routine upended by the sudden death of his mother. At her funeral, he faces scrutiny from all corners for his failure to perform his grief. Meursault’s reputation for otherworldly detachment carries over to all aspects of his life, from his tentative romance with Marie (Rebecca Marder) to his indifference to professional advancement. As Meursault gets swept up in a cycle of escalating reprisals among his neighbors, tensions come to a head when he murders an Arab man on the beach. A Frenchman may offer many defenses for shooting an Arab in Algeria, but Meursault’s refusal of excuse or remorse shakes colonial society to its core. Photographed in sterling, sensuous black-and-white, François Ozon’s new take on Albert Camus’s classic novel of existentialist ennui is a landmark of adaptation, simultaneously faithful to the text and dedicated to discovering fresh perspectives in the margins.
Rfor language, some sexual material, graphic nudity, violence and a grisly image.
In the chaos of post-Soviet Russia, a brilliant young outsider, Vadim Baranov (Dano), rises from artist to master political strategist, becoming the spin doctor to a rising KGB officer: Vladimir Putin (Law). As Baranov helps shape a new Russia blurring the boundaries between truth and lies, belief and manipulation, only the magnetic Ksenia (Vikander) is beyond his control, tempting him away from this dangerous game.