Amélie, 2001 ‘Le Fabuleux Destin d'Amélie Poulain’ Directed by Jean-Pierre Jeunet ONE PERSON CAN CHANGE YOUR LIFE FOREVER. At a tiny Parisian café, the adorable yet painfully shy Amélie (Audrey Tautou) accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?

On Friday, a single e-mail blips through the Internet. The word spreads quickly through the city: the party is on. Saturday evening, two hundred people secretly converge at an abandoned San Francisco warehouse. As the sun sets the records start spinning, setting into motion a night that no one will forget. David Turner, his brother Colin and Colin's girlfriend, Harmony go to Groove and have a night that changes the brothers forever.

Harold and Maude, 1971 Directed by Hal Ashby THEY WERE MEANT TO BE. BUT EXACTLY WHAT THEY WERE MEANT TO BE IS NOT QUITE CLEAR. The young Harold lives in his own world of suicide-attempts and funeral visits to avoid the misery of his current family and home environment. Harold meets an 80-year-old woman named Maude who also lives in her own world yet one in which she is having the time of her life. When the two opposites meet they realize that their differences don’t matter and they become best friends and love each other.

See the hilarious, award-winning, one-woman show that inspired the BBC’s hit TV series Fleabag, broadcast live to cinemas from London’s West End. Written and performed by Phoebe Waller-Bridge (Fleabag, Killing Eve) and directed by Vicky Jones, this 67 minute play is a rip-roaring look at some sort of woman living her sort of life. Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that's just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose. Playing to sold-out audiences in New York and London, don’t miss your chance to see this ‘legitimately hilarious show’ (New Yorker), broadcast live to a cinema near you.

Matthew Warchus directs Andrew Scott (BBC’s Sherlock, Fleabag) in Noël Coward’s provocative comedy Present Laughter. As he prepares to embark on an overseas tour, star actor Garry Essendine’s colourful life is in danger of spiralling out of control. Engulfed by an escalating identity crisis as his many and various relationships compete for his attention, Garry’s few remaining days at home are a chaotic whirlwind of love, sex, panic and soul-searching. Captured live from The Old Vic in London, Present Laughter is a giddy and surprisingly modern reflection on fame, desire and loneliness.

Andrew Scott (Fleabag) brings multiple characters to life in Simon Stephens’ (The Curious Incident of the Dog in the Night-Time) radical new version of Chekhov’s Uncle Vanya. Hopes, dreams, and regrets are thrust into sharp focus in this one-man adaptation which explores the complexities of human emotions. Filmed live during its sold-out run in London’s West End, Vanya will be playing exclusively in cinemas in 2024.

Gillian Anderson (Sex Education), Vanessa Kirby (The Crown), and Ben Foster (Lone Survivor) lead the cast in Tennessee Williams’ timeless masterpiece, returning to cinemas. As Blanche’s fragile world crumbles, she turns to her sister Stella for solace – but her downward spiral brings her face to face with the brutal, unforgiving Stanley Kowalski. From visionary director Benedict Andrews, this acclaimed production was filmed live during a sold-out run at the Young Vic Theatre in 2014.

Three-time Olivier Award-winner Sharon D Clarke is joined by Ncuti Gatwa (Doctor Who; Sex Education) in this joyful reimagining of Oscar Wilde’s most celebrated comedy. While assuming the role of a dutiful guardian in the country, Jack lets loose in town under a false identity. Meanwhile, his friend Algy adopts a similar facade. Hoping to impress two eligible ladies, the gentlemen find themselves caught in a web of lies they must carefully navigate. Max Webster (Life of Pi) directs this hilarious story of identity, impersonation and romance, filmed live from the National Theatre in London.

After being sold to a mortician, young orphan Oliver Twist runs away and meets a group of boys trained to be pickpockets by an elderly mentor.

PlayTime, 1967 Directed by Jacques Tati Clumsy Monsieur Hulot finds himself perplexed by the intimidating complexity of a gadget-filled Paris. He attempts to meet with a business contact but soon becomes lost. His roundabout journey parallels that of an American tourist, and as they weave through the inventive urban environment, they intermittently meet, developing an interest in one another. They eventually get together at a chaotic restaurant, along with several other quirky characters.

A frustrated housewife, Francine Fishpaw (Divine), tries to maintain her sanity while taking care of her dysfunctional household. Elmer (David Samson), her husband and the owner of an adult theater, is sleeping with his secretary, and her delinquent teen son, Dexter (Ken King), and pregnant teen daughter, Lulu (Mary Garlington), aren't helping matters any. But when Francine meets dashing Todd Tomorrow (Tab Hunter), the owner of a theater specializing in art films, her life appears rosier. POLYESTER A Film By John Waters This film is being presented in ODORAMA! Free ODORAMA Card With Every Admission!

Nomi, a young drifter, arrives in Las Vegas to become a dancer and soon sets about clawing and pushing her way to become the top of the Vegas showgirls.

THE PHOENICIAN SCHEME. The story of a family and a family business. Starring: Benicio del Toro as Zsa-zsa Korda, one of the richest men in Europe; Mia Threapleton as Sister Liesl, his daughter/a nun; Michael Cera as Bjorn Lund, their tutor. With: Tom Hanks, Bryan Cranston, Riz Ahmed, Mathieu Amalric, Jeffrey Wright, Scarlett Johansson, Richard Ayoade, Rupert Friend, Hope Davis, and Benedict Cumberbatch.

Two imprisoned men bond over a number of years, finding solace and eventual redemption through acts of common decency.

A struggling female soprano in 1934 Paris finally finds work after posing as a female impersonator, but it complicates her personal life when a visiting Chicago gangster finds himself inexplicably attracted to the seemingly male performer.